Rumour in courtpolitics
any of the rumours that circulated around the kingdom began life as
attempts to manipulate the perceptions of the King. Occasions on which
individuals tried to shape the King’s policies with dramatic reports about the
Spanish match or the threat of invasion were comparatively rare, however.
What role did more routine rumours about goings on at court play in politics,
and what role, if any, did observers at the periphery play in shaping day-to-day
politics at the centre? A consideration of these issues
Noble society in the twelfth-century German kingdom was vibrant and multi-faceted, with aristocratic families spending their lives in the violent pursuit of land and power. This book illuminates the diversity of the aristocratic experience by providing five texts that show how noblemen and women from across the German kingdom, from Rome to the Baltic coast and from the Rhine River to the Alpine valleys of Austria, lived and died between approximately 1075 and 1200. The five subjects of the texts translated here cut across many of the strata of German elite society. how interconnected political, military, economic, religious and spiritual interests could be for some of the leading members of medieval German society-and for the authors who wrote about them. Whether fighting for the emperor in Italy, bringing Christianity to pagans in what is today northern Poland, or founding, reforming and governing monastic communities in the heartland of the German kingdom, the subjects of these texts call attention to some of the many ways that noble life shaped the world of central medieval Europe.
This study examines how political news was concealed, manipulated and distorted in late Jacobean England. Using a wide range of extraordinarily rich manuscript sources, it analyses how news was managed and interpreted during a period of acute political and religious conflict. It analyses how the flow of information to and from the King was managed by his secretaries of state and diplomats, and how the King prevented information about his policies from leaking in to the wider public sphere. It analyses the ‘outward shows’ James made to signal his intentions and mislead a variety of audiences, as well as they ways in which these ‘performances’ could backfire and undermine royal authority. It also examines the sceptical and often cynical reception of news, and the political significance of the rumours that circulated in court and country. It thereby contributes to a wider range of historical debates that reach across the politics and political culture of the reign and beyond. It advances new arguments about censorship, counsel, and the formation of policy; propaganda and royal image-making; political rumours and the relationship between elite and popular politics, as well as shedding new light on the nature and success of James I’s style of rule. In doing so, it aims to examine news as a source of influence and even power in Jacobean England.
Henry V (1106–25), Lothar III (1125–37), Conrad III
(1138–52) and Frederick I Barbarossa (1152–90). All five of
these rulers have roles to play in the texts, and their courts are
important centres of patronage at key moments for some of the men and
women discussed in these works. Nevertheless, imperial courtpolitics
are not the principal subject of any of the sources in this volume.
Instead, much of
The Earl of Essex, Sir Philip Sidney and surviving Elizabeth’s
Richard James Wood
The truest test of Sidney’s legacy of anti-factionalism would have been to provide a guiding philosophy at the time when courtpolitics was at its most polarized. In such circumstances, which, arguably, the 1590s were for Elizabethan courtiers, Sidney’s ethos would have been invaluable. As we saw in Chapter One , and as I show in this chapter, Sidney’s sophisticated, textually mediated relationship with his monarch has the potential to mitigate difficult political situations. Sidney’s discourse of pragmatic Stoicism and principled anti-factionalism, associated
Doubtful and Dangerous examines the pivotal influence of the succession question on the politics, religion and culture of the post-Armada years of Queen Elizabeth’s reign. Although the earlier Elizabethan succession controversy has long captured the interest of historians and literary scholars, the later period has suffered from relative obscurity. Our book remedies this situation. Taking a thematic and interdisciplinary approach, individual chapters demonstrate that key late Elizabethan texts – literary, political and polemical – cannot be understood without reference to the succession. The chapters also reveal how the issue affected court politics, lay at the heart of religious disputes (notably the Archpriest controversy), stimulated constitutional innovation, and shaped archipelagic and continental relationships. By situating the topic within its historiographical and chronological contexts, the editors offer a revised account of the whole reign, challenging many established interpretations. The book brings together scholars from the fields of literature and history working in England and the US. Most are distinguished academics, such as Patrick Collinson whose last work is published here; others are younger scholars who are already making their mark on early modern studies. Interdisciplinary in scope and spanning the crucial transition from the Tudors to the Stuarts, the book will be indispensable to scholars and students of early modern British and Irish history, literature, religion, and culture.
This chapter brings the U.S. Supreme Court's political and legal
dimensions, its powers and limitations, and the resulting controversies,
together and addresses the ultimate issue of the role of the Court. It deals
with the role played by the Court in allocating power between the different
branches of the U.S. government and between the government and the people.
The Court is also responsible for amending the U.S. Constitution as it
retains its role as the prime legitimator of political change in the country
and plays an important role in making national policy. The chapter also
discusses the role of the Court in conflict resolution and ensuring
political stability. The most valued role performed by the Court is that of
defender of civil liberties against majoritarian or governmental power. The
chapter also mentions three versions of Court's role and power: the
minimal court, the unlimited court, and the realistic court.
This book analyses Anna of Denmark’s material and visual patronage at the Stuart
courts, examining her engagement with a wide array of expressive media including
architecture, garden design, painting, music, dress, and jewellery. Encompassing
Anna’s time in Denmark, England, and Scotland, it establishes patterns of
interest and influence in her agency, while furthering our knowledge of
Baltic-British transfer in the early modern period. Substantial archival work
has facilitated a formative re-conceptualisation of James and Anna’s
relationship, extended our knowledge of the constituents of consortship in the
period, and has uncovered evidence to challenge the view that Anna followed the
cultural accomplishments of her son, Prince Henry. This book reclaims Anna of
Denmark as the influential and culturally active royal woman that her
contemporaries knew. Combining politics, culture, and religion across the courts
of Denmark, Scotland, and England, it enriches our understanding of royal
women’s roles in early modern patriarchal societies and their impact on the
development of cultural modes and fashions. This book will be of interest to
upper level undergraduate and postgraduate students taking courses on early
modern Europe in the disciplines of Art and Architectural History, English
Literature, Theatre Studies, History, and Gender Studies. It will also attract a
wide range of academics working on early modern material and visual culture, and
female patronage, while members of the public who enjoy the history of courts
and the British royals will also find it distinctively appealing.
This book aims to revisit the county study as a way into understanding the
dynamics of the English civil war during the 1640s. It explores gentry culture
and the extent to which early Stuart Cheshire could be said to be a ‘county
community’. It investigates the responses of the county’s governing elite and
puritan religious establishment to highly polarising interventions by the
central government and Laudian ecclesiastical authorities during Charles I’s
Personal Rule. The second half of the book provides a rich and detailed analysis
of the petitioning movements and side-taking in Cheshire during 1641-42. This
important contribution to understanding the local origins and outbreak of civil
war in England will be of interest to all students and scholars studying the
The first collection of its kind, Chartist Drama makes available four plays written or performed by members of the Chartist movement of the 1840s. Emerging from the lively counter-culture of this protest campaign for democratic rights, these plays challenged cultural as well as political hierarchies by adapting such recognisable genres as melodrama, history plays, and tragedy for performance in radically new settings. A communal, public, and embodied art form, drama was linked for the Chartists with other kinds of political performance: the oratory of the mass platform, festival-like outdoor meetings, and the elaborate street theatre of protest marches. Plays that Chartists wrote or staged advanced new interpretations of British history and criticised aspects of the contemporary world. And Chartist drama intervened in fierce strategic arguments within the movement. Most notably, poet-activist John Watkins’s John Frost, which dramatises the gripping events of the Newport rising of 1839, in which twenty-two Chartists lost their lives, defends the rebellion and the Chartist recourse to violence as a means for the movement to achieve its aims. The volume’s appendices document over one hundred Chartist dramatic performances, staged by activists in local Chartist associations or at professional benefits at some of London’s largest working-class theatres. Gregory Vargo’s introduction and notes elucidate the previously unexplored world of Chartist dramatic culture, a context that promises to reshape what we know about early Victorian popular politics and theatre.