An anthology of literary texts and contexts

This book is an anthology of selections from works dealing with same-sex love, desire, sexual acts, and relationships during the period 1550-1735 in early modern England. It presents religious and moral writings, pseudo-medical writings, criminal pamphlets, travel writings, and letters on same-sex desire. The condemnation of male and female same-sex sexual acts is embedded in the earliest Christian theology. The early modern medical, pseudo-medical, and anatomical texts in Latin are surprisingly reticent about the physiological and anatomical aspects of homoerotic sexuality and desire. Canon law had long condemned male same-sex sexual acts. The 1533-34 statute in England forbade male same-sex sexual acts but ignored female same-sex intercourse. English travel narratives dealing with the sexual customs of other cultures often present sexual licentiousness as endemic, sometimes touching specifically on sodomy and tribadism. The most detailed presentations of same-sex erotic relationships in non-European cultures are those relating to Turkey and the Turkish seraglio. Familiar letters, such as between James I and VI, could reveal personal secrets and be radically transgressive in their emphasis on fostering love and desire. The book discusses homo-sexual subculture during 1700-1730, translation of Latin and Greek texts, and numerous literature representing male and female same-sex erotic relationships. The largely 'socially diffused homosexuality' of the seventeenth century changed profoundly with 'clothes, gestures, language' connoting 'homosexuality'. The book shows how literary genres of male same-sex and female-sex desires such as Shakespeare's Sonnets, and Catherine Trotter's Agnes de Castro allow the modern reader to chart changes in their representation.

Marie Helena Loughlin

ch a pt e r 9 Literature: Representing Female Same-Sex Erotic Relationships and Desires Literature: Female Desiderius Erasmus (?1466–1536), humanist scholar Erasmus’s major works are Adages (a collection of sententiae or wise sayings or maxims (1500)), the Enchiridion (a manual of Christian living (1503)), The Praise of Folly (a satire of contemporary European social and religious attitudes (1511)) and Colloquies (Latin dialogues on various social, moral, and religious topics (1518/19)). His Scriptural commentaries and editions of classical writers and the

in Same-Sex Desire in Early Modern England, 1550–1735
Marie Helena Loughlin

ch a pt e r 8 Literature: Representing Male Same-Sex Erotic Relationships and Desires Literature: Male Edmund Spenser (?1552–99), poet Educated at Cambridge, where he met his dear friend and mentor Gabriel Harvey, Spenser later became the Earl of Leicester’s secretary, and gained the support and patronage of Sir Walter Ralegh and Sir Philip Sidney. Spenser’s works include the immediately popular Shepheardes Calender (1579); the sonnet sequence Amoretti and marriage poem Epithalamion (both 1595); the mythopoetic allegory of Tudor court life Colin Clouts Come

in Same-Sex Desire in Early Modern England, 1550–1735
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Sam Rohdie

Desire Io stesso sono dell’epoca di Mann, Proust, Mahler. Sono nato nel 1906 e il mondo che mi ha circondato, il mondo artistico, ­letterario, musicale, è quel mondo li. Non è un caso che mi ci senta ­attaccato. Probabilmente ho anche dei ricordi visivi, figurativi, una specie di memoria involontaria che mi aiuta a ricostruire l’atmosfera di quell’epoca. Oggi è tutto diverso. Se dovessi fare oggi un film ­moderno non so dove andrei a cercare i miei ambienti; mi sembra tutto molto meno interessante, mi sembra, come dire, molto meno stuzzicante. La società europea

in Film modernism
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Swinburne and lyric crisis
Marion Thain

The lines of Swinburne’s poetry delineate the poetically perverse, the metrically masochistic, and the sensuously sadistic. Yet it is not the sexual intensity of his poetry that I explore in this chapter, although the pun in my title deliberately evokes these aspects of Swinburne’s poetry to tease from them a perversely chaste account of lyric community. ‘Desire lines’ is

in Algernon Charles Swinburne
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Sexualities on the move?
Andrew Asibong

frankness and a refreshing casualness. Whether via the shyly fellating male lovers of Scènes de lit (1997), the enthusiastic sodomies of 1995’s La Petite Mort, 1996’s Une Robe d’été, and 2005’s Le Temps qui reste, or the unexpectedly numerous all-star Sapphic couplings of 2002’s 8 femmes, Ozon conveys a world in which same-sex desire is both irrepressible and seemingly ubiquitous. 4 While these

in François Ozon
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Cosmography and chorography
Tamsin Badcoe

example, a way of approaching coastal space, which Elizabeth Jane Bellamy has described as the possible site of ‘a numinous poetics’ in Spenser’s poem. 4 Spenser’s Knight of Chastity is famously good at crossing thresholds and the origins of her quest are located using both the contours of regional Welsh geography and an unusual interest in the names of places. 5 In order to sound Glauce’s meaning when she avows to her charge that she will try ‘by wrong or right/ To compas [her] desire, and find that loued knight’ (III.ii.46), I connect Spenser’s regional descriptions

in Edmund Spenser and the romance of space
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Fantastic Renaissance spectacles
Elisabeth Bronfen and Beate Neumeier

questions about the act of seeing, the nature of perception and its relation to knowledge. These uncertainties emerge in transformational processes foregrounding themes of vision and themes of desire and their intersections with shifting emphasis (to borrow Todorov’s distinction without its theoretical underpinnings). The obsession with monstrous creatures and horrifying

in Gothic Renaissance
Male bodies and manliness
Joanne Begiato

1 Figures, faces, and desire: male bodies and manliness Introduction Manliness was conveyed through beautiful, virile, male bodies; men’s muscles, hair, stance, movement, and facial features delineated, even rhapsodised, in print, visual, and material culture.1 Such appealing male figures and faces were associated with positive emotions that were coded as both manly and moral.2 This chapter explores their changing forms over time, but also addresses the question raised by such bodies. Intended to promulgate and disseminate exemplary masculinity, what purpose did

in Manliness in Britain, 1760–1900
Exploring gender, anti-racism, and homonormativity in Shamim Sarif ’s The World Unseen (2001) and I Can’t Think Straight (2008)
Alberto Fernández Carbajal

backdrop is one against which Sarif’s characters routinely struggle, testing the boundaries of officially designated spaces with anti-racist intent, which intersects with issues of female same-sex desire. This chapter offers a combined examination of the conjoined anti-racist, anti-homophobic, and feminist stance of Sarif’s first novel with that of Sarif’s own screen adaptation of it, released in 2008, the same year as Sarif’s film debut, I Can’t Think Straight , and the literary version of the story that was created in conjunction with it

in Queer Muslim diasporas in contemporary literature and film