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This book explores the interactions of comedy and drama within a group of significant and influential films released during the decade of the 1990s. It examines a group of British films from this period which engage with economic and social issues in unusual and compelling ways.
dynamic creative mechanism in 1990s British cinema, facilitating and enabling the construction of innovative and genuinely exploratory narratives about characters who are striving to realise particular aspirations and hopes within a complex culture. In the entry on comedy in Key Concepts in Cinema Studies (1996), Susan Hayward writes that ‘Britain has a strong tradition with its Ealing comedies and Carry-On movies. But these are