Impostors and impostures featured prominently in the political, social and religious life of early modern England. Who was likely to be perceived as impostor, and why? This book offers a full-scale analysis of this multifaceted phenomenon. Using approaches drawn from historical anthropology and micro-history, it investigates changes and continuities within the impostor phenomenon from 1500 to the late eighteenth century, exploring the variety of representations and perceptions of impostors, and their deeper meanings within the specific contexts of social, political, religious, institutional and cultural change. The book examines a wide range of sources, from judicial archives and other official records to chronicles, newspapers, ballads, pamphlets and autobiographical writings. Given that identity is never fixed, but involves a performative dimension, changing over time and space, it looks at the specific factors which constitute identity in a particular context, and asks why certain characteristics of an allegedly false identity were regarded as fake.
This book aims both to shed light on the complex legal and procedural basis for early modern chaplaincy and to expand the understanding of what chaplains, in practice, actually did. Each chapter in the book treats in a different way the central question of how interactions in literature, patronage and religion made forms of cultural agency are available to early modern chaplains, primarily in England. The numerous case studies discussed in the book include instances of both the public and the more private aspects of chaplaincy. The book first focuses on the responsibility of the bishop of London's chaplains for pre-publication censorship of the press. It then examines the part played by ambassadorial chaplains such as Daniel Featley within wider networks of international diplomacy, interconfessional rivalry and print polemic. Patronage was evidently the key to determining the roles, activities and significance of early modern chaplains. Unsurprisingly, patrons often chose chaplains whose interests and priorities, whether theological or secular, were similar or complementary to their own. Episcopal chaplains had a politically significant role in keeping lay patrons loyal to the Church of England during the interregnum. Alongside patronage and religion, the book also considers the diverse array of literary activities undertaken by early modern chaplains.
Early modern England was marked by profound changes in economy, society, politics and religion. It is widely believed that the poverty and discontent which these changes often caused resulted in major rebellion and frequent 'riots'. This book argues for the inherently political nature of popular protest through a series of studies of acts of collective protest, up to and including the English Revolution. Authority was always the first historian of popular protest. Explaining the complex relationship between the poor and their governors, the book overviews popular attitudes to the law and the proper exercise of authority in early modern England. A detailed reconstruction of events centring on grain riots in the Essex port of Maldon in the crisis of 1629 is then presented. Urbanisation, regional specialisation and market integration were the larger changes against which disorder was directed between 1585 and 1649. The book discusses the 'four Ps', population growth, price rise, poverty and protest, explaining their connection with population explosion to poverty and protest. The major European revolts of the so-called 'Oxfordshire rising' are then analysed. Popular politics might deploy 'weapons of the weak' in a form of everyday politics that was less dramatic but more continuous than 'riot'. On the very eve of the Civil War, large crowds, with underemployed clothworkers, attacked and plundered the houses of local Catholics and proto-royalists among the nobility and gentry. In a culture that proscribed protest and prescribed obedience, public transcripts could be used to legitimise a popular political agency.
This book attempts to interrogate the literary, artistic and cultural output of early modern England. Following Constance Classen's view that understandings of the senses, and sensory experience itself, are culturally and historically contingent; it explores the culturally specific role of the senses in textual and aesthetic encounters in England. The book follows Joachim-Ernst Berendt's call for 'a democracy of the senses' in preference to the various sensory hierarchies that have often shaped theory and criticism. It argues that the playhouse itself challenged its audiences' reliance on the evidence of their own eyes, teaching early modern playgoers how to see and how to interpret the validity of the visual. The book offers an essay on each of the five senses, beginning and ending with two senses, taste and smell, that are often overlooked in studies of early modern culture. It investigates Robert Herrick's accounts in Hesperides of how the senses function during sexual pleasure and contact. The book also explores sensory experiences, interrogating textual accounts of the senses at night in writings from the English Renaissance. It offers a picture of early modern thought in which sensory encounters are unstable, suggesting ways in which the senses are influenced by the contexts in which they are experienced: at night, in states of sexual excitement, or even when melancholic. The book looks at the works of art themselves and considers the significance of the senses for early modern subjects attending a play, regarding a painting, and reading a printed volume.
This book is an anthology of selections from works dealing with same-sex love, desire, sexual acts, and relationships during the period 1550-1735 in early modern England. It presents religious and moral writings, pseudo-medical writings, criminal pamphlets, travel writings, and letters on same-sex desire. The condemnation of male and female same-sex sexual acts is embedded in the earliest Christian theology. The early modern medical, pseudo-medical, and anatomical texts in Latin are surprisingly reticent about the physiological and anatomical aspects of homoerotic sexuality and desire. Canon law had long condemned male same-sex sexual acts. The 1533-34 statute in England forbade male same-sex sexual acts but ignored female same-sex intercourse. English travel narratives dealing with the sexual customs of other cultures often present sexual licentiousness as endemic, sometimes touching specifically on sodomy and tribadism. The most detailed presentations of same-sex erotic relationships in non-European cultures are those relating to Turkey and the Turkish seraglio. Familiar letters, such as between James I and VI, could reveal personal secrets and be radically transgressive in their emphasis on fostering love and desire. The book discusses homo-sexual subculture during 1700-1730, translation of Latin and Greek texts, and numerous literature representing male and female same-sex erotic relationships. The largely 'socially diffused homosexuality' of the seventeenth century changed profoundly with 'clothes, gestures, language' connoting 'homosexuality'. The book shows how literary genres of male same-sex and female-sex desires such as Shakespeare's Sonnets, and Catherine Trotter's Agnes de Castro allow the modern reader to chart changes in their representation.
The social economy of dearth
he impoverished repertory of English folk-tales lacks those stories –
common in other early modern European societies – in which peasant
culture confronts the dilemma of too many mouths to feed, and in which
supernatural salvation so often took the form of a superabundance of food.1
This hitherto largely unnoticed absence of English Hansels and Gretels
wandering through a Malthusian world takes on added meaning in the light of
recent work on the demography of earlymodernEngland. This work
Public transcripts, popular agency
and the politics of subsistence
n the summer of 1596, the balladeer Thomas Deloney was facing imprisonment. While Londoners were struggling with the consequences of harvest
failure, Deloney had published, ‘a certein ballad containing a Complaint of the
great Want and Scarcitie of Corn within the Realm’. His oﬀence was to have
represented the Queen speaking ‘with hir people in dialogue-wise in very fond
and undecent sort’ and to have prescribed ‘orders for ye remedying of this
This book examines the activities of William Blundell, a seventeenth-century Catholic gentleman, and using the approaches of the history of reading provides a detailed analysis of his mindset. Blundell was neither the passive victim nor the entirely loyal subject that he and others have claimed. He actively defended his family from the penal laws and used the relative freedom that this gave him to patronise other Catholics. In his locality, Blundell ensured that the township of Little Crosby was populated almost entirely by his co-religionists, on a national level he constructed and circulated arguments supporting the removal of the penal laws, and on an international level he worked as an agent for the Poor Clares of Rouen. That he cannot be defined solely by his victimhood is further supported by his commonplace notes. Not only did Blundell rewrite the histories of recent civil conflicts to show that Protestants were prone to rebellion and Catholics to loyalty, but we also find a different perspective on his religious beliefs. His commonplaces suggest an underlying tension with aspects of Catholicism that is manifest throughout his notes on his practical engagement with the world, in which it is clear that he was wrestling with the various aspects of his identity. This examination of Blundell's political and cultural worlds complicates generalisations about early modern religious identities.
In a theatre that self-consciously cultivated its audiences' imagination, how and what did playgoers ‘see’ on the stage? This book reconstructs one aspect of that imaginative process, considering a range of printed and documentary evidence for the way ordinary individuals thought about their houses and households. It then explores how writers of domestic tragedies engaged those attitudes to shape their representations of domesticity. The book therefore offers a way of understanding theatrical representations based around a truly interdisciplinary study of the interaction between literary and historical methods. The opening chapters use household manuals, court depositions, wills and inventories to reconstruct the morality of household space and its affective meanings, and to explore ways of imaging these spaces. Further chapters discuss Arden of Faversham, Two Lamentable Tragedies, A Woman Killed With Kindness and A Yorkshire Tragedy, considering how the dynamics of the early modern house were represented on the stage. They identify a grammar of domestic representation stretching from subtle identifications of location to stage properties and the use of stage space. Investigating the connections between the seen and the unseen, between secret and revelation, between inside and outside, household and community, these plays are shown to offer a uniquely developed domestic mimesis.
Anti-Spanish sentiment in earlymodernEngland
[A]s long as God shall preserve my master and misstress together, I am and shall be a
Spaniard to the uttermost of my power…
Henry Neville, earl of Westmorland1
Anti-Spanish sentiment (or ‘English hostility toward the objectionable character of the individual Spaniard’2) has been accorded a central explanatory role
in the historiography of Marian England, a period traditionally read in terms
of insuperable English hostility to Spain and the Spanish. This Hispanophobia
meant, the argument goes, that the reign and