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In Cairo collages, the large-scale political, economic, and social changes in Egypt brought on by the 2011 revolution are set against the declining fortunes of a single apartment building in a specific Cairo neighbourhood. The violence in Tahrir Square and Mohamed Mahmud Street; the post-January euphoric moment; the increasing militarisation of urban life; the flourishing of dystopian novels set in Cairo; the neo-liberal imaginaries of Dubai and Singapore as global models; gentrification and evictions in poor neighbourhoods; the forthcoming new administrative capital for Egypt – all are narrated in parallel to the ‘little’ story of the adventures and misfortunes of everyday interactions in a middle-class building in the neighbourhood of Doqi.