This book studies a distinctive brand of women's rights that emerged out of the Victorian Secularist movement, and looks at the lives and work of a number of female activists, whose renunciation of religion shaped their struggle for emancipation. Anti-religious or secular ideas were fundamental to the development of feminist thought, but have, until now, been almost entirely passed over in the historiography of the Victorian and Edwardian women's movement. In uncovering an important tradition of freethinking feminism, the book reveals an ongoing radical and free love current connecting Owenite feminism with the more ‘respectable’ post-1850 women's movement and the ‘New Women’ of the early twentieth century.
This book explores the work of Luce Irigaray, one of the most influential and controversial figures in feminist thought—although Irigaray herself disclaims the term ‘feminism’. Irigaray's work stands at the intersection of contemporary debates concerned with culture, gender and religion, but her ideas have not yet been presented in a comprehensive way from the perspective of religious studies. The book examines the development of religious themes from Irigaray's initial work, Speculum of the Other Woman, in which she rejects traditional forms of western religions, to her more recent explorations of eastern religions. Irigaray's ideas on love, the divine, an ethics of sexual difference and normative heterosexuality are analysed. These analyses are placed in the context of the reception of Irigaray's work by secular feminists such as Judith Butler, Drucilla Cornell and Elizabeth Grosz, as well as by feminists in religious studies such as Pamela Sue Anderson, Ellen Armour, Amy Hollywood and Grace Jantzen. Most of these thinkers reject Irigaray's proposals for women's adoption of gender-specific qualities as a form of gender essentialism. Finally, Irigaray's own spiritual path, which has been influenced by eastern religions, specifically the disciplines of yoga and tantra in Hinduism and Buddhism, is evaluated in the light of recent theoretical developments in orientalism and postcolonialism.
A Session at the 2019 American Studies Association Conference
Magdalena J. Zaborowska, Nicholas F. Radel, Nigel Hatton, and Ernest L. Gibson III
“Rebranding James Baldwin and His Queer Others” was a session held
at the annual meeting of the American Studies Association in November 2019 in
Honolulu, Hawaii. The papers gathered here show how Baldwin’s writings
and life story participate in dialogues with other authors and artists who probe
issues of identity and identification, as well as with other types of texts and
non-American stories, boldly addressing theoretical and political perspectives
different from his own. Nick Radel’s temporal challenge to reading novels
on homoerotic male desire asks of us a leap of faith, one that makes it possible
to read race as not necessarily a synonym for “Black,” but as a
powerful historical and sexual trope that resists “over-easy”
binaries of Western masculinity. Ernest L. Gibson’s engagement with
Beauford Delaney’s brilliant art and the ways in which it enabled the
teenage Baldwin’s “dark rapture” of self-discovery as a
writer reminds us that “something [has been missing] in our discussions
of male relationships.” Finally, Nigel Hatton suggests “a
relationship among Baldwin, Denmark, and Giovanni’s Room
that adds another thread to the important scholarship on his groundbreaking work
of fiction that has impacted African-American literature, Cold War studies,
transnational American studies, feminist thought, and queer theory.” All
three essays enlarge our assessment of Baldwin’s contribution to
understanding the ways gender and sexuality always inflect racialized Western
masculinities. Thus, they help us work to better gauge the extent of
Baldwin’s influence right here and right now.
international organization’.13 ‘Pacifism’ is used
interchangeably with ‘peace advocacy’ and ‘peace work’; thus it includes
absolute pacifists within its scope, although these are also referred to
specifically where relevant.
‘ the truest form of patriotism ’
The term which is perhaps most important in this work is ‘pacifist
feminism’. An examination of the secondary literature shows that the
earliest application of the terms ‘feminist pacifism’ or ‘pacifist feminism’
to feministthought is in relation to the First World War. Existing
accounts assume that feminists only
-feminists, Christians and
Freethinkers battled over who had women’s best interests at heart. Such
contests were fundamental to the development of feministthought in England, but
have been almost entirely passed over in the historiography of the women’s
movement. This book examines these debates and offers the first ever in-depth study of
‘Freethinking feminism’ – a distinctive brand of women’s
rights discourse that emerged out of the Secularist movement during
You’re nicked is a genre study of police series produced by UK television from 1955 to the 2010s. It considers how the relationship among production practices, visual stylistics, and resultant ideology has evolved over the past sixty years, and how this has had an impact on changing cultural definitions of the police series genre. To chart the development of the genre each chapter focuses on a particular decade to examine how key series represent the changes that gendered identities and social-class demographics were experiencing economically, socially, and politically in light of the disassembly of the postwar settlement. Depictions of the police station, domestic scenes of criminals, and the private lives of police officials are examined to unearth the complex ideology underpinning each series and to determine how the police series genre can be used to document socio-economic changes to British society.
This chapter starts with the ideas of the black American feminist Kimberlé
Crenshaw, who introduced the concept of intersectionality in 1989 to expose
the invisibility of black women in both feminist and anti-racist theory and
politics. The chapter explores the earlier history of the idea, before
tracing its movement into mainstream feminist thought and assessing debates
around its use and meaning today. It argues against open-ended
individualistic approaches that ignore structural forms of power and reduce
intersectionality to a bland form of ‘identity politics’. The chapter also
argues that, although there are a number of socially significant differences
and identities, intersectional analysis should generally focus on the ‘big
three’ of gender, race and class, and that women who are multiply oppressed
should be at the heart of feminist theory and practice. The chapter
concludes with some examples of intersectional approaches in Europe and the
UK, focusing on the implications for anti-discrimination legislation and
some forms of feminist activism.
As war has been considered by many to be one of the most gendered of all human activities, this chapter suggests that perhaps one of the reasons this form of warfare is so troubling and difficult to classify in contemporary conceptual frameworks is precisely that it defies the gendered categories that have constituted theories of war and political violence in International Relations. Inspired by feminist critiques of the war/peace distinction in terms of sexualised violence against women, the chapter draws on queer and black feminist thought to analyse not only how the drone challenges our understanding of what war is, but also how it must be understood as a gendering and racialising technology. Given the much noted ‘voyeuristic intimacy’ of the drone and its fetishised, even sublime qualities, and the predator/prey ‘manhunt’ structure of this form of violence, the chapter argues that to understand the gender politics of the drone we must examine the mutual constitution of both the concept of gender as a technology of embodiment and a racializing technology.
In its contributions to the study of material social differences, queer theoretical writing has mostly assumed that any ideas which embody 'difference' are valuable. More than this, where it is invoked in contemporary theory, queerness is often imagined as synonymous with difference itself. This book uncovers an alternative history in queer cultural representation. Through engagement with works from a range of queer literary genres from across the long twentieth century – fin-de-siècle aestheticism, feminist speculative fiction, lesbian middle-brow writing, and the tradition of the stud file – the book elucidates a number of formal and thematic attachments to ideas that have been denigrated in queer theory for their embodiment of sameness: uselessness, normativity, reproduction and reductionism. Exploring attachments to these ideas in queer culture is also the occasion for a broader theoretical intervention: Same Old suggests, counterintuitively, that the aversion they inspire may be of a piece with how homosexuality has been denigrated in the modern West as a misguided orientation towards sameness. Combining queer cultural and literary history, sensitive close readings and detailed genealogies of theoretical concepts, Same Old encourages a fundamental rethinking of some of the defining positions in queer thought.
With race as a central theme, this book presents racial stratification as the underlying system which accounts for the difference in outcomes of Whites and Blacks in the labour market. Critical race theory (CRT) is employed to discuss the operation, research, maintenance and impact of racial stratification. The power of this book is the innovative use of a stratification framework to expose the pervasiveness of racial inequality in the labour market. It teaches readers how to use CRT to investigate the racial hierarchy and it provides a replicable framework to identify the racial order based on insight from the Irish case. There is a four-stage framework in the book which helps readers understand how migrants navigate the labour market from the point of migration to labour participation. The book also highlights minority agency and how migrants respond to their marginality. The examples of how social acceptance can be applied in managing difference in the workplace are an added bonus for those interested in diversity and inclusion. This book is the first of its kind in Ireland and across Europe to present inequality, racism and discrimination in the labour market from a racial stratification perspective. While this book is based on Irish data, the CRT theoretical approach, as well as its insight into migrant perspectives, poses a strong appeal to scholars of sociology, social justice, politics, intercultural communication and economics with interest in race and ethnicity, critical whiteness and migration. It is a timely contribution to CRT which offers scholars a method to conduct empirical study of racial stratification across different countries bypassing the over-reliance on secondary data. It will also appeal to countries and scholars examining causal racism and how it shapes racial inequality.