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Beatriz Tadeo Fuica

Agustín Tosco Propaganda was published in the Argentine film journal El Amante Cine. It was written by Israel Adrián Caetano before his film Pizza, Beer and Cigarettes (Caetano and Stagnaro, 1998) triggered the concept of New Argentine Cinema. In this provocative text, Caetano criticised the way Argentine cinema had usually been made and, in a form of manifesto, he presented the principles that his own films – and those of many other young directors – have followed since then. Although New Argentine Cinema has been thoroughly studied in the English-speaking academia, only a few authors have made reference to this seminal text. Being aware of the principles set in this manifesto more than twenty years ago will help researchers and students understand some important features that tend to be overlooked when exploring not only Argentinean cinema, but also many other cinemas of the region.

Film Studies
Stefania Parigi

cinema. Ossessione was a film-manifesto. It severed itself from the cinema of the past and opened the way for a new cinema, that of Italian neorealism. In the five years between Ossessione and La terra trema , Visconti actively participated in the struggle for liberation from fascism and the Nazi occupation and for which he was imprisoned. In the immediate post-war period, Visconti worked in theatre, where he staged plays

in Cinema – Italy
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Spare parts
Elza Adamowicz

body. This study explores the fabrications of the human figure across Dada art, texts, film, manifestos and performances in the context of the tensions and ADAMOWICZ 9781526131140 PRINT (4 col).indd 3 31/01/2019 16:05 4 dada bodies contradictions of the ideological, socio-political and artistic situation across Europe during and after the First World War. Born in Zurich in 1916, at the heart of a war-torn Europe, Dada emerged at a time of social, economic and moral crisis, and of major developments in technology and media culture. It is this period of

in Dada bodies