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Author: Stefania Parigi

This book is a collection of essays on the author's journeys taken during the past fifteen years. They are journeys in time and of memory about a country that no longer exists: the Italy of Roberto Rossellini's Paisà, torn by war and sometimes in conflict with the American 'liberators'. The essays concentrate on the structure and forms of the films they discuss; a confrontation of cultures, the Italy of Luchino Visconti, a territory more cultural than physical, subject to transfigurations wrought by a sophisticated intellectual who viewed the world through the lens of his sensibilities. The first three essays focus on discussions and films relating to neorealism. They seek problems and inconsistencies in points of view and prejudices that have become institutionalized in popular accounts of neorealism. The next two essays are dedicated to Visconti's commemorative and antiquarian vein, to the central importance of mise en scène (in the theatrical sense) in his films. The final essay is an attempt to recover an archetypical image in Pasolini's work. The characteristics shared by these essays include a sensitivity and knowledge of the cinema, genuine scholarship, and the ability to see aesthetic resonances to painting, literature, poetry, music. The contrast between darkness and light in Paisà and in Visconti's Vaghe stelle dell'Orsais most incisive and dramatic. They are all traversed by recurrent themes and obsessions: the contrast between darkness and light, night and day.

Benjamin J. Elton

, he also used their methods in his own work. He wrote a short article for the Jewish Quarterly Review urging an amendment to the traditional text of Ethics of the Fathers VI:3 on scholarly grounds.108 More significant was Hertz’s willingness to use archaeological, etymological and anthropological evidence to support his arguments in his Pentateuch and Haftorahs [hereafter Pentateuch].109 Like other traditional but scientific figures whom we would place in the acknowledgement school, including Hildesheimer, Hoffman and Adler, Hertz believed that genuine scholarship

in Britain’s Chief Rabbis and the religious character of Anglo-Jewry, 1880–1970