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The British horror film

The introductory chapter is written to help position the reader regarding the academic climate that saw the first edition of Hammer and Beyond materialise, to consider some of the book’s omissions, and to assess the state of British horror in the years immediately leading up to, and following, its publication.

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American horror comics as Cold War commentary and critique

Printing Terror places horror comics of the mid-twentieth century in dialogue with the anxieties of their age. It rejects the narrative of horror comics as inherently and necessarily subversive and explores, instead, the ways in which these texts manifest white male fears over America’s changing sociological landscape. It examines two eras: the pre-CCA period of the 1940s and 1950s, and the post-CCA era to 1975. The authors examine each of these periods through the lenses of war, gender, and race, demonstrating that horror comics are centred upon white male victimhood and the monstrosity of the gendered and/or racialised other. It is of interest to scholars of horror, comics studies, and American history. It is suitably accessible to be used in undergraduate classes.

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Spectres of Maturin; or, the ghosts of Irish Romantic fiction
Christina Morin

’, The Irish journal of Gothic and horror studies , 5 ( 2008 ), no pagination. Available online at . 10 Charles Robert Maturin, Melmoth the wanderer , ed. Douglas Grant, introd. Chris Baldick ( 1820 ; Oxford: Oxford University Press, 1998 ), p. 539. Future references are to this edition and are

in Charles Robert Maturin and the haunting of Irish Romantic fiction
Andrew Smith

Companions to the Gothic’ series published by Edinburgh University Press. There are also several journals dedicated to the Gothic including the long standing Gothic Studies , published by Manchester University Press and Horror Studies , published by Intellect. There are also several online journals such as Gothic Fiction Studies , Diegesis , and the Irish Journal of Gothic and Horror Studies , to name but a few. Key critical publications on the Gothic from the 1980s include David Punter’s The Literature of Terror

in Interventions
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Sorcha Ní Fhlainn

primer on Barker's themes and metaphors. Linda Badley's excellent studies on horror fiction and film – Film, Horror and the Body Fantastic (1995) and Writing Horror and the Body: The Fiction of Stephen King, Clive Barker, and Anne Rice ( 1996 ) – strongly emphasise Barker's influence in popular horror studies, prizing his reading of the body as a text in horror fiction, and equating his

in Clive Barker
Matthew Schultz

example of the Irish Gothic revived. 9 Jacques Derrida, Specters of Marx (New York: Routledge Classics, 2006), p. 123. 10 Kelly Hurley, ‘British Gothic Fiction, 1885–1930.’ The Cambridge Companion to Gothic Fiction. Ed. Jerrold E. Hogle (Cambridge: Cambridge University Press, 2002), p. 194. 11 Richard Haslam, ‘Irish Gothic: A Rhetorical Hermeneutics Approach.’ Irish Journal of Gothic and Horror Studies 2 (2007): n. pag. 12 John Paul Riquelme, ‘Toward a History of Gothic and Modernism: Dark Modernity from Bram Stoker to Samuel Beckett.’ Modern Fiction Studies 46

in Haunted historiographies
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Colette Balmain

crazy? Korean Gothic and psychosis in A Tale of Two Sisters’. Irish Journal of Gothic and Horror Studies , 3. November. . Accessed 10 February 2011. Latour, Bruno. 2005. ‘On the difficulty of being glocal’. ART-e-FACT: STRTEGIES OF RESISTANCE. An online magazine for contemporary art \& culture 4

in Globalgothic
Kevin Clifton

proceedings for 12th International Congress on Musical Signification, Université catholique de Louvain, Louvain-​la-​Neuve. Clifton, Kevin (2013b), ‘Unravelling Music in Hitchcock’s Rope’, Horror Studies 4:1: 63–​74. Cooper, David (2001), Bernard Herrmann’s ‘Vertigo’: A Film Score Handbook. Westport, CT: Greenwood Press. John, Antony (2001), ‘ “The Moment That I Dreaded and Hoped For”: Ambivalence and Order in Bernard Herrmann’s Score for Vertigo’, Musical Quarterly 85:3: 516–​44. McCarten, John (1958), ‘Vertigo’, New Yorker 34: 65. Sullivan, Jack (2008), Hitchcock’s Music

in Partners in suspense
Gothic kinship in Stephen King’s Pet Sematary
John Sears

’, Irish Journal of Gothic and Horror Studies , 1 (October 2006). At (Accessed 30 December 2011). De Man, Paul, ‘Shelley disfigured’, in Harold Bloom (ed.), Deconstruction & Criticism (London: Routledge & Kegan Paul, 1979), pp. 39–74. Janicker, Rebecca, ‘The horrors of Maine: space, place

in Gothic kinship
Situating The Beetle within the fin-de-siècle fiction of Gothic Egypt
Ailise Bulfin

Loss in the Victorian Fin de Siècle (Cambridge: Cambridge University Press, 1996) and P. Brantlinger’s Rule of Darkness: British Literature and Imperialism, 1830–1914 (New York: Cornell University Press, 1988).  4 Recent scholarship foregrounding the relationship between imperialism and the figure of the mummy includes K. MacFarlane, ‘Mummy knows best: knowledge and the unknowable in turn of the century mummy fiction’, Horror Studies, 1:1 (2010), 5–24; R. Luckhurst, The Mummy’s Curse: The True History of a Dark Fantasy (Oxford: Oxford University Press, 2012); and B

in Richard Marsh, popular fiction and literary culture, 1890–1915