At an anarchist discussion group, I confessed to working for the council. I
explained that I felt justified because the sexual health programme in which I was
involved was so incredibly progressive. The person to whom I had made this
admission replied, rather haughtily, ‘I hardly think sex education is revolutionary.’ Putting aside the idea that something is only worthwhile if it will bring on
‘the revolution’, I was concerned with the apparent attitude that sex education
cannot be ‘anarchist’. Perhaps
Conceptual Art and identitypolitics:
from the 1960s to the 1990s
When we have revolutionary conferences, rallies, and demonstrations, there
should be full participation of the gay liberation movement and the women’s
liberation movement. Some groups might be more revolutionary than others.
We should not use the actions of a few to say that they are all reactionary or
counter-revolutionary, because they are not. (Huey P. Newton (1970))1
In the eighties, none of my students knew what Conceptualism was. I believe,
along the lines of Hal Foster’s theorization, that
This article considers the contexts and processes of forensic identification in 2004
post-tsunami Thailand as examples of identity politics. The presence of international
forensic teams as carriers of diverse technical expertise overlapped with
bureaucratic procedures put in place by the Thai government. The negotiation of
unified forensic protocols and the production of estimates of identified nationals
straddle biopolitics and thanatocracy. The immense identification task testified on
the one hand to an effort to bring individual bodies back to mourning families and
national soils, and on the other hand to determining collective ethnic and national
bodies, making sense out of an inexorable and disordered dissolution of corporeal as
well as political boundaries. Individual and national identities were the subject of
competing efforts to bring order to,the chaos, reaffirming the cogency of the body
politic by mapping national boundaries abroad. The overwhelming forensic effort
required by the exceptional circumstances also brought forward the socio-economic and
ethnic disparities of the victims, whose post-mortem treatment and identification
traced an indelible divide between us and them.
The tendency among ethnic minority Muslim immigrant communities in Europe towards identification with Islam as a marker of identity is discussed in an array of studies, but seldom have they explained sufficiently how the change took place. Islam and Identity Politics among British-Bangladeshis: A Leap of Faith probes the causes of and conditions for the preference of the members of the British-Bangladeshi community for a religion-based identity vis-à-vis ethnicity-based identity, and the influence of Islamists in shaping the discourse. It also examines whether this salience of Muslim identity is a precursor to a new variant of diasporic Islam. Islam and Identity Politics delves into the micro-level dynamics, the internal and external factors and the role of the state and locates these within the broad framework of Muslim identity and Islamism, citizenship and the future of multiculturalism in Europe.
the relationship between security and identity, that occupies a central role
in contemporary British identitypolitics, and foresees its continued,
The diagram of counter-radicalisation
This book has sought to demonstrate
that at the heart of Prevent lies an important development in how the state
seeks to govern the possibility of future violence. Going beyond previous
counter-terrorism strategies, as shown in chapter 3 , Prevent contains a temporal ambition to intervene early: to
Identity is often regarded as something that is possessed by individuals, states, and other agents. In this edited collection, identity is explored across a range of approaches and under-explored case studies with a view to making visible its fractured, contingent, and dynamic features. The book brings together themes of belonging and exclusion, identity formation and fragmentation. It also examines how identity functions in discourse, and the effects it produces, both materially and in ideational terms. Taking in case studies from Asia-Pacific, Europe, the Middle East and Latin America, the various chapters interrogate identity through formal governing mechanisms, popular culture and place. These studies demonstrate the complex and fluid nature of identity and identity practices, as well as implications for theorising identity.
This book examines the impact of Civil Rights, Black Power, the student, feminist and sexual-liberty movements on conceptualism and its legacies in the United States between the late 1960s and the 1990s. It focuses on the turn to political reference in practices originally concerned with abstract ideas. The book traces key strategies in contemporary art to the reciprocal influences of conceptualism and identity politics. The central concept is a reversal of the qualitative assessment made by artist and theorist Joseph Kosuth in 1969. The book overviews the 1960s-1970s shift from disciplinary-based Conceptual Art to an interdisciplinary conceptualism, crediting the influence of contemporaneous politics dominated by identity and issue-based politics. It offers a survey of Adrian Piper's early work, her analytic conceptual investigations, and her transition to a synthetic mode of working with explicit political reference. The book explores how Conceptual Art is political art, analysing several works by synthetic proposition artists. It then surveys several key 1980s events and exhibitions before taking in depth the 1993 Whitney Biennial as its central case study for understanding the debates of the 1980s and the 1990s. Examining the ways in which Hans Haacke's work referenced political subject matter, simultaneously changing the conception of the processes and roles of art-making and art, the book argues against critics who regarded his work to be "about" politics. It also looks at the works of Charles Gaines, David Hammons, Renée Green, Mary Kelly, Martha Rosler, Silvia Kolbowski, Daniel Joseph Martinez, Lorna Simpson, and Andrea Fraser.
The European Union (EU) is faced by the Eurozone crisis, the rise of anti-EU populism and 'Brexit'. In its immediate neighbourhood it is confronted by a range of challenges and threats. This book explores the origins of the term 'Europeanisation' and the way in which its contemporary iteration-EU-isation-has become associated with the normative power of the EU. The concept of European identity is discussed, with an indication that there are different levels of identity of which a European consciousness can be just one. An overview of different mechanisms the EU uses to promote EU-isation in the neighbourhood and a discussion on the limits of conditionality when membership is not on offer is also included. The book discusses these themes in more detail. It powerfully states the salience of Russia in establishing an alternative geopolitical pole to the EU. The presence of Russia as the Eurasian Economic Union appears to play the role of being a way of preserving traditional conservative values in contrast to the uncomfortable challenges of EU-isation. The Balkans' and Turkey's reception of EU-isation is not affected by the experience of being in-betweeners. The book examines the issue of EU-isation and the relationship between values (norms), interests and identity based on various sectors/themes which cut across different neighbours and are core elements in their relations with the EU.
This introduction to the Film Studies special issue on Sex and
the Cinema considers the special place of sex as an object of inquiry in film
studies. Providing an overview of three major topic approaches and methodologies
– (1) representation, spectatorship and identity politics; (2) the
increasing scrutiny of pornography; and (3) new cinema history/media industries
studies – this piece argues that the parameters of and changes to the
research of sex, broadly defined, in film studies reflect the development of the
field and discipline since the 1970s, including the increased focus on
putatively ‘low’ cultural forms, on areas of film culture beyond
representation and on methods beyond textual/formal analysis.
The politics of old age in the twenty-first century is contentious, encompassing ideological debates about how old age is conceptualised and the rights and welfare entitlements of individuals in later life. Synthesising key theoretical writings in political science, social/critical gerontology and cultural sociology, the book provides an insight into the complexity of older people’s identity politics, its relationship with age-based social policy and how the power of older people’s interest organisations, their legitimacy and existence remain highly contingent on government policy design, political opportunity structures and the prevailing cultural and socio-economic milieu. The book situates the discussion in the international context and outlines findings of an Irish case study which explores the evolution of older people’s interest organisation in Ireland from their inception in the mid-1990s to the end of the first decade of the twenty-first century. The book is essential reading for policymakers and organisations interested in ageing, policy and the political process and for students of ageing, social policy and political sociology.