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Sara Callahan

Joachim Koester's Message from Andrée consists of a display table, two large posters and a 16mm film projection. The work was shown for the first time in the Danish pavilion at the 2005 Venice Biennale, and is based on archival material from the late nineteenth-century Andrée expedition. 1 This historical event has all the ingredients of a good story: against-the-odds adventure, a remote and inhospitable location, nationalist hubris, romance and mystery. Numerous books, articles, films and

in Art + Archive
Open Access (free)
John Lydgate’s ‘Soteltes for the coronation banquet of Henry VI’
Heather Blatt

3 Reading materially: John Lydgate’s ‘Soteltes for the coronation banquet of Henry VI’ Allone as I went vp and doun, I ane abbay wes fair to se, Thinkand quhat consolatioun Wes best in to aduersitie, On cais I kest on syd myne e And saw this writtin vpoun a wall: ‘Off quhat estait, man, that thow be, Obey and thank thi God off all’. Robert Henryson, ‘Abbey Walk’1 Like other texts addressed in these chapters, the short lyric poem ‘Abbey Walk’, by the late fifteenth-century Scots poet Robert Henryson, engages the work of reading in ways that facilitate and even

in Participatory reading in late-medieval England
Object interviews as a means of studying everyday life
Helen Holmes

Introduction Since the material turn in the social sciences, researchers have been exploring new ways to engage with the objects and materials of everyday life. Such methods aim to overcome subject–object binaries, placing the very substance of materials at the core of their inquiry (Gregson and Crewe, 1998 ). This chapter takes one such approach – object interviews – to explore how objects and materials structure our everyday lives and relationships. This method involves not only unearthing the significance of objects to their owners, but also

in Mundane Methods
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Artisanal virtuosity and material memorialisation
Jasmine Kilburn-Toppin

In 1528 master armourer and active citizen William Vynyard presented a spectacular gift to his guild, originating from his own workshop. He gave to the Armourers’ Company a polychromed oak sculpture of St. George and the Dragon, with the saintly hero clad in an exceptionally intricate miniature steel armour (see Plate 12 ). Vynyard's material gift went on to play a significant role in the ceremonial life of the guild, as when the company travelled by boat to Greenwich in 1540 to celebrate the marriage of Henry VIII to Anne of Cleves, ‘with

in Crafting identities
Open Access (free)
Regina Maria Roche, the Minerva Press, and the bibliographic spread of Irish gothic fiction
Christina Morin

4 Gothic materialities: Regina Maria Roche, the Minerva Press, and the bibliographic spread of Irish gothic fiction Evocative of the nationally transformative potential of travel sketched in The old Irish baronet (1808) and The tradition of the castle (1824), Regina Maria Roche's The castle chapel (1825) establishes the global journey of one of its two protagonists as the key to restored and refreshed identities at home. Compelled by his dependent status to conciliate the favour of a rich uncle by travelling first to India and then

in The gothic novel in Ireland, c. 1760–1829
Print, dissent, and the social society
Sara Lodge

1 Material backgrounds: print, dissent, and the social society How did Hood become a writer and illustrator whose every utterance is liable to play? Answering this question means looking afresh at Hood’s background and the route he followed into the literary profession. The first two chapters of this book are particularly concerned with three aspects of Hood’s upbringing and apprenticeship: his early exposure to the burgeoning marketplace of printed products, the culture of dissent that shaped his family life and schooling, and the social and political

in Thomas Hood and nineteenth-century poetry
Shetland 1800–2000
Author: Lynn Abrams

This book is about the relationship between myth-making and historical materiality. It is a singular case study of the position and experience of women in a 'peripheral' society distanced - geographically, economically and culturally - from the British mainland. The book first looks at women and gender relations in the nineteenth and twentieth centuries through examination of the construction of historical myth. It then looks at economic and demographic factors that underpinned the materiality of women's dominance of culture. An understanding of women's work patterns and experiences is central to any analysis of women's lives in Shetland and the gender relations contingent upon this. Shetland women were autonomous, independent workers whose day-to-day productive experiences implicated them in all sorts of social and economic relationships outside the home. The book argues that women's culture in Shetland actually had only a marginal connection to the islands' dominant economic activity - fishing. It also argues that the negligible figures for children born outside wedlock are a poor guide to understanding the moral order in nineteenth-century Shetland. Like the new visitors to Shetland, the historians of the early twenty-first century would ordinarily reach the same conclusions. They would do so, at root, because the authors are equipped with the same myth system of discourse about what constitutes women's subordination and power. The book seeks to navigate the issue of 'power' by approaching it in terms which the Shetland woman understood in the nineteenth and early twentieth centuries.

Borders in contemporary Macedonia
Rozita Dimova

8 Materialities of displacement: borders in contemporary Macedonia Rozita Dimova The 246 km long border between the Republic of Macedonia (hereinafter Macedonia) and Greece sets off at Lake Prespa, crosses the fertile Pelagonia valley, runs across the steep mountainous wedges of the Nidze and Kozuf mountains, cuts short the valley of the river Vardar, and ends north of the Dojran Lake in eastern Macedonia (see Figure 8.1). The two countries are connected by three border crossings: Medzitlija-Niki near the towns of Bitola-Florina, Bogorodica-Evzoni near

in The political materialities of borders
Chari Larsson

With Didi-Huberman’s anti-Platonism firmly established in Confronting Images , the following decade was dedicated to examining the image’s material existence. This has been traditionally regarded as a minor concern for art historians, who have maintained a hierarchical privileging of the form over matter and signified over signifier. In this chapter I will examine Didi-Huberman’s concern with matter and materiality as he participates in the broader critique of representation underway at EHESS. It is critical to recognise that Didi-Huberman is part of the

in Didi-Huberman and the image
Cardboard publishers in Latin America
Lucy Bell

4 Recycling materials, recycling lives: cardboard publishers in Latin America Lucy Bell Latin American editoriales cartoneras are small, independent publishers that make their books by hand out of recycled cardboard and aim to sell them at prices lower than those of large publishing houses. This cultural movement first began in Buenos Aires in the wake of the 2001 economic crisis, during which unemployment rates soared and people had a home one week but were homeless the next. One of the most visible impacts of the deep recession was the appearance of thousands

in Literature and sustainability