Search results

Abstract only
Power, form and subjectivity
Author: John Corner

This book explores how issues of power, form and subjectivity feature at the core of all serious thinking about the media, including appreciations of their creativity as well as anxiety about the risks they pose. Drawing widely on an interdisciplinary literature, the author connects his exposition to examples from film, television, radio, photography, painting, web practice, music and writing in order to bring in topics as diverse as reporting the war in Afghanistan, the televising of football, documentary portrayals of 9/11, reality television, the diversity of taste in the arts and the construction of civic identity. The book is divided into two parts. In the first part, three big chapters on each of the key notions provide an interconnected discussion of the media activities opened up for exploration and the debates they have provoked. The second part presents examples, arguments and analysis drawing on the author's previous work around the core themes, with notes placing them in the context of the whole book. The book brings together concepts both from Social Studies and the Arts and Humanities, addressing a readership wider than the sub-specialisms of media research. It refreshes ideas about why the media matter, and how understanding them better remains a key aim of cultural inquiry and a continuing requirement for public policy.

The book explores how we understand global conflicts as they relate to the ‘European refugee crisis’, and draws on a range of empirical fieldwork carried out in the UK and Italy. It examines how global conflict has been constructed in both countries through media representations – in a climate of changing media habits, widespread mistrust, and fake news. In so doing, it examines the role played by historical amnesia about legacies of imperialism – and how this leads to a disavowal of responsibility for the reasons people flee their countries. The book explores how this understanding in turn shapes institutional and popular responses in receiving countries, ranging from hostility – such as the framing of refugees by politicians, as 'economic migrants' who are abusing the asylum system – to solidarity initiatives. Based on interviews and workshops with refugees in both countries, the book develops the concept of ‘migrantification’ – in which people are made into migrants by the state, the media and members of society. In challenging the conventional expectation for immigrants to tell stories about their migration journey, the book explores experiences of discrimination as well as acts of resistance. It argues that listening to those on the sharpest end of the immigration system can provide much-needed perspective on global conflicts and inequalities, which challenges common Eurocentric misconceptions. Interludes, interspersed between chapters, explore these issues in other ways through songs, jokes and images.

Imaging gothic from the nineteenth century to the present

Monstrous Media/Spectral Subjects explores Gothic, monstrosity, spectrality and media forms and technologies (music, fiction's engagements with photography/ cinema, film, magic practice and new media) from the later nineteenth century to the present day. Placing Gothic forms and productions in an explicitly interdisciplinary context, it investigates how the engagement with technologies drives the dissemination of Gothic across diverse media through the twentieth and twenty-first centuries, while conjuring all kinds of haunting and spectral presences that trouble cultural narratives of progress and technological advancement.

Abstract only
Found Footage Cinema and the Horror of the Real
Neil McRobert

This article examines the post-millennial popularity of the found footage movie, in particular its engagement with the representational codes of non-fiction media. Whilst the majority of critical writings on found footage identify the 11 September attacks on the World Trade Centre as a key visual referent, they too often dwell on the literal re-enactment of the event. This article instead suggests that these films evoke fear by mimicking the aesthetic and formal properties of both mainstream news coverage and amateur recording. As such they create both ontological and epistemological confusion as to the reality of the events depicted. Rather than merely replicating the imagery of terror/ism, these films achieve their terrifying effects by mimicking the audiences media spectatorship of such crisis.

Gothic Studies

This collection interrogates the representation of humanitarian crisis and catastrophe, and the refraction of humanitarian intervention and action, from the mid-twentieth century to the present, across a diverse range of media forms: traditional and contemporary screen media (film, television and online video) as well as newspapers, memoirs, music festivals and social media platforms (such as Facebook, YouTube and Flickr). The book thus explores the historical, cultural and political contexts that have shaped the mediation of humanitarian relationships since the middle of the twentieth century. Together, the chapters illustrate the continuities and connections, as well as the differences, which have characterised the mediatisation of both states of emergency and acts of amelioration. The authors reveal and explore the significant synergies between the humanitarian enterprise, the endeavour to alleviate the suffering of particular groups, and media representations, and their modes of addressing and appealing to specific publics. The chapters consider the ways in which media texts, technologies and practices reflect and shape the shifting moral, political, ethical, rhetorical, ideological and material dimensions of international humanitarian emergency and intervention, and have become integral to the changing relationships between organisations, institutions, governments, individual actors and entire sectors.

Understanding perceptions of Muslims in the news

This book considers how the coverage of Islam and Muslims in the press informs the thoughts and actions of non-Muslims. As media plays an important role in society, analysing its influence(s) on a person’s ideas and conceptualisations of people with another religious persuasion is important. News reports commonly feature stories discussing terrorism, violence, the lack of integration and compatibility, or other unwelcome or irrational behaviour by Muslims and Islam. Yet there is little research on how non-Muslims actually engage with, and are affected by, such reports. To address this gap, a content and discourse analysis of news stories was undertaken; verbal narratives or thoughts and actions of participants were then elicited using interviews and focus groups. The participant accounts point towards the normativity of news stories and their negotiated reception patterns. Individual orientations towards the media as an information source proved to be a significant factor behind the importance of news reports, with individually negotiated personal encounters with Muslims or Islam further affecting the meaning-making process. Participants negotiated media reports to fit their existing outlook on Islam and Muslims. This outlook was constructed through, and simultaneously supported by, news reports about Muslims and Islam. The findings suggest a co-dependency and co-productivity between news reports and participant responses. This research clearly shows that participant responses are (re)productions of local and personal contextuality, where the consequences of socially constructed depictions of Islam and Muslims engage rather than influence individual human thoughts and actions.

Abstract only
Edwin Bacon, Bettina Renz, and Julian Cooper

Bacon 04 3/2/06 10:26 AM Page 76 4 The media Fears about the deterioration of press freedom in Russia during the presidency of Vladimir Putin have been widely discussed since his election in March 2000. In May 2003 Putin was included in a list of ‘Predators of Press Freedom’ issued by the Paris-based organisation Reporters Without Borders. In its 2003 annual Press Freedom Survey the international organisation Freedom House for the first time downgraded its evaluation of the Russian media from being ‘partly free’ to being ‘not free’.1 Concerns with regards to

in Securitising Russia
Abstract only
Clare Wilkinson and Emma Weitkamp

In this chapter we will consider how you might use a variety of media to communicate your research to both the public and your peers. The chapter is intended for those new to using media (traditional or social) for research communication and does not seek to provide a comprehensive overview of the potential ways media might be used, but rather offers examples as a jumping-off point for your own endeavours. The chapter briefly covers writing for traditional media, before moving on to consider your digital profile and the practicalities of using

in Creative research communication
Abstract only
Listening to installation and performance
Ming-Yuen S. Ma

Media soundscapes: listening to installation and performance Media scholars have pointed out the recent ubiquity of moving image media in the historically ‘visual’ art spaces of museums and art galleries.1 Indeed, I cannot recall a recent visit to an art gallery, museum, or alternative art space where I did not encounter works that feature or incorporate video, film, animation, or other forms of media. As a result, there is much to listen to in these ‘noisy’ spaces. Caleb Kelly provides a description: ‘Upon entering almost any contemporary gallery space, we hear

in There is no soundtrack
Abstract only
John Shepherd

Chapter Six Media coverage On 22 January 1979, Tony Benn noted in his diary: ‘Today was the Day of Action for local government employees and 1.25 million workers took the day off. The press is just full of crises, anarchy, chaos, disruption – bitterly hostile to the trade union movement. I have never seen anything like it in my life.’1 At the peak of the ‘winter of discontent’, the National Day of Action became the greatest industrial stoppage since the General Strike of May 1926. On 22 January 1979 around 1.5 million public sector workers took part in major

in Crisis? What crisis?