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Rob Boddice

An emotional basis for morality? Since professional historians have tended to reject easy formulations about learning from the past, or history repeating itself, they have often been left stammering when asked to justify what history does, or what it is worth. On good days, of course, most historians can justify what they do, at least to themselves, but an air of suspicion has tended to linger over so-called ‘soft’ sub-fields of history that are not thought to get to the real meat of historical significance. For decades, this meant powerful white

in The history of emotions
Jonathan Smyth

1 Towards a new republican morality Any attempt to follow the development of Robespierre’s thinking, leading finally to the speech of 18 Floréal (7 May 1794)  and proclamation of the festival in honour of the Supreme Being on 20 Prairial Year II (8 June 1794) has to try to answer two main questions. The first is whether progress in his thinking on the importance of the problem which the lack of any acceptable national moral system through the early years of the Revolution had created can be traced. The second is why he chose a Revolutionary Festival to launch

in Robespierre and the Festival of the Supreme Being
Discourses, contestation and alternative consumption
Roberta Sassatelli

chap 8 13/8/04 4:24 pm Page 176 8 The political morality of food: discourses, contestation and alternative consumption Roberta Sassatelli Anthropology and sociology have been keen to show that consumption is a social and moral field, and that consumer practices are part of an ongoing process of negotiation of social classifications and hierarchies. Food consumption in particular has been associated with symbolically mediated notions of order (Douglas and Isherwood 1979). We know that particular foods are identified with annual festivities, set apart for

in Qualities of food
Úna Newell

5 Crime, security and morality Agrarian discontent with the slow and ineffective progress of the Land Commission provided certain possibilities for mobilisation behind republican opposition to the Irish Free State, if the leaders could convincingly demonstrate that the redress of such grievances hinged upon a rejection of the Cumann na nGaedheal government. However, Liam Mellows did not inspire a successor in Galway, or at least not one that would successfully harness the potential for agrarian and political upheaval in Galway as he had done in 1915–16. Neither

in The west must wait
Gender and development discourse and practice in late colonial Africa
Barbara Bush

representations of African women and how these influenced conceptions of tradition versus modernity in development discourse. Second, I demonstrate how representations of African gender identities and relations, domesticity, morality, and sexuality permeated colonial discourse and influenced practice. Finally I provide a critique of gendered colonial development discourse and its

in Developing Africa
Brian Pullan

48 3 Prostitutes, courtesans and public morality During the sixteenth century, many French and German cities officially closed their brothels, as though yielding to the demands of Protestant reformers that they form godly societies dominated by civic righteousness.1 No more should public authorities connive at sexual relationships outside marriage, let alone extract revenue from them. Choice of the lesser evil should give way to a new kind of moral absolutism. Some Protestant critics called whorehouses ‘schools that teach more shameful things than they prevent

in Tolerance, Regulation and Rescue
Gitika De

produced a vocabulary for the comparative analyses of politics, represented, most importantly in his Stratagems and Spoils: A Social Anthropology of Politics (1969b). This chapter traces F. G. Bailey’s varied oeuvre to arrive at three enduring and intertwined aspects in his ethnography of politics: morality, truth, and power. Focusing mainly on his political ethnographies of Orissa

in The anthropology of power, agency, and morality
Cathy Shrank

Introduction This chapter considers scriptural citation in fifteenth- and sixteenth-century English morality drama. As scholars such as John Wasson and Pamela King note, the survival rate of plays that might be considered ‘moralities’ does not ‘supply adequate evidence of a coherent “movement” within the development of native theatre’. 1 Nonetheless, as King herself argues, the extant examples – including The Castle of Perseverance ( c . 1400–25), Wisdom and Mankind

in Enacting the Bible in medieval and early modern drama
The enduring legacy of F. G. Bailey

The works of F. G. Bailey (1924‒2020) provide a masterful template for good ethnography: the kind that leads to theoretical insight. Central to this endeavour is Bailey’s ability to conceptually connect the well-described micro-contexts of individual interactions to the macro-context of culture. Bailey’s core concerns – the tension between individual and collective interests, the will to power, how leaders yield and keep power, and the dialectics of social forces which foster both collective solidarity as well as divisiveness and discontent – are themes of universal interest; the beauty of his work lies in bite of his analyses of how these play out in local arenas between real people. Bailey’s ethnographic gaze enables richly thick descriptions of social interactions in which actors recognize the rules of the game, simultaneously deploying creative actions that circumvent those rules in ways that Bailey’s models illuminate. His work provides nuanced, yet explicit road maps to analyzing the different leadership styles of everyday people as well as contemporary leaders: Boris Johnson, Trump, Obama, Putin, Macron, Modi, Kim Jong-un. It is our hope that this volume will inspire new generations of anthropologists to revisit his seminal texts by demonstrating the broad range of research areas in which Bailey’s conceptual and methodological toolkit can be applied. The range of topics and cultures studied in the chapters collected will help new scholars navigate their way through the ethnographic thicket of their own research.

Reidar Due

During a twenty-five year period, spanning the Second World War and his move from England to America, Hitchcock showed a particular preference for plots involving an unjustified accusation against the films central character. The 39 Steps (1935), Young and Innocent (1937), Saboteur (1942), Strangers on a Train (1951), I Confess (1953), The Wrong Man (1956) and North by Northwest (1959) are all variations on the same pattern with different thematic emphases. This article discusses the narrative logic and moral content of this ‘innocence plot’, running through Hitchcock‘s films from the mid-thirties to the late fifties.

Film Studies