Over the past quarter of a century, the study of nineteenth-century Hispanic culture and society has undergone two major shifts. The first was a rejection of 'the myth of backwardness', a notion that these cultures and societies were exceptions that trailed behind the wider West.. The second trend was a critical focus on a core triad of nation, gender and representation. This volume of essays provides a strong focus for the exploration and stimulation of substantial new areas of inquiry. The shared concern is with how members of the cultural and intellectual elite in the nineteenth century conceived or undertook major activities that shaped their lives. The volume looks at how people did things without necessarily framing questions of motive or incentive in terms that would bring the debate back to a master system of gender, racial, ethnographic, or national proportions. It reviews some key temporal dilemmas faced by a range of nineteenth-century Spanish writers. The volume explores how they employed a series of narrative and rhetorical techniques to articulate the consequent complexities. It also looks at how a number of religious figures negotiated the relationship between politics and religion in nineteenth-century Spain. The volume concentrates on a spectrum of writings and practices within popular literature that reflect on good and bad conduct in Spain through the nineteenth century. Among other topics, it provides information on how to be a man, be a writer for the press, a cultural entrepreneur, an intellectual, and a colonial soldier.
This collection draws together scholarship from across fields of ecocriticism, ecoGothic, garden history, Romantic and Victorian studies and environmental humanities to explore how the garden in nineteenth-century Europe could be a place of disturbance, malevolence and haunting. Ranging from early nineteenth-century German fairy romance to early twentieth-century turbulence in children’s stories, gardens feature as containers and catalysts for emotional, spiritual and physical encounters between vegetal and human lives. The garden is considered a restorative place, yet plants are not passive: they behave in accordance with their own needs; they can ignore or engage with humankind in their own interests. In these chapters, human and vegetal agency is interpreted through ecoGothic investigation of uncanny manifestations in gardens – hauntings, psychic encounters, monstrous hybrids, fairies and ghosts – with plants, greenhouses, granges, mansions, lakes, lawns, flowerbeds and trees as agents and sites of uncanny developments, leading to disaster and death, radical life-changes, wisdom and sorrow. These Gothic garden stories illustrate our anxieties related to destruction at any level, and the chapters here provide unique insights from across the long nineteenth century into how plant life interacts uncannily with human distress and well-being.
This book is about Thomas Hood, a nineteenth-century writer and illustrator whose work is characterized by play. It argues that looking closely at Hood illuminates three areas of nineteenth-century cultural production that modern scholarship has yet fully to explore: the output of the years 1824-40; comic poetry; and the grotesque. These three areas of discomfort are linked, each of them threatens boundaries that are convenient for literary criticism. The book explores Hood's early career at the London Magazine, restoring the dynamic context in which he began experimenting with voice and genre. It examines the connection between the London's liberal politics and its culture of play. The book concerns with the effects of Hood's remarkably pluralistic approach to words, texts, and readers, both as material entities and as imaginative projections. It considers Hood's puns, their effects, their detractors, and the cultural politics of punning in the nineteenth century. The book examines the politics of Hood's play in relation to nineteenth-century debate about labour and leisure. Hood's work in relationship to the so-called 'minor' or 'illegitimate' theatre of the 1820s and 1830s is analyzed. Hood's work plays out the possibilities of an emergent cultural democracy: his poetry is practically and ideologically allied with the forms, subjects, and modes of illegitimate theatre. Hood's upbringing in a changing print culture makes him unsually alert to and appreciative of the play of language, the serendipitous intertextuality of the street where signs are in constant dialogue with one another.
This book is a history of an illusion. It is also a history of the dream that preceded the illusion. The book discusses statistics as the field of tension between the scientific claims of neutrality and universality on the one hand and the political and economic reality of the conflicting interests of nation-states on the other. The various paths of state- and nation-building that European countries traversed in the nineteenth century are recognisable in the objectives of government statistics and are reflected in the topics selected for statistical study and in the categories used in the research. Each congress was clearly dominated by the specific interests of the country in which the statisticians convened. The book shows in each case how the organisation of government statistics and national concerns influenced the international agenda. It describes the perceptions, goals and dilemmas of the protagonists and their contact with each other, and in so doing unravels the complex relationships between science, government and society, wherever possible from their point of view. The genesis of international statistics was inspired by a desire for reform. Belgium's pioneering role in the European statistical movement was informed both by its liberal polity and the special status of statistics within it, and by Adolphe Quetelet's key position as an intellectual. The consolidation of the Grand Duchy of Baden, a new medium-sized state in the Rhine Confederation and later in the German Confederation, offered great opportunities for the development of official statistics.
This collection of essays examines the place of ‘saints’ and sanctity in nineteenth-century Britain. It argues that holy men and women were pivotal in religious discourse, as subjects of veneration and inter-confessional contention. Protestants were as fascinated by such figures as Catholics were. Long after the mechanisms of canonization had disappeared, they continued not only to engage with the saints of the past but continued to make their own saints in all but name. Just as strikingly, it claims that devotional practices and language were not the property of orthodox Christians alone. Even in an age of confessional strife, doubt and secularisation, devotional practices and language remained central to how both Christians and their opponents reflected on that changing world. Making and remaking saints is significant, then, because until now no-one has explored how sainthood remained significant in this period both as an enduring institution and as a fruitful metaphor that could be transposed into unexpected contexts. Each of the chapters in this volume focuses on the reception of a particular individual or group. Together they will attract not just historians of religion, but those concerned with material culture, the cult of history, and with the reshaping of British identities in an age of faith and doubt
The poor laws were a fundamental component of nineteenth-century government throughout the United Kingdom. Ratepayer, pauper, poor law guardian or functionary, almost everyone had an interest in the poor law system. This book presents a study of the nature and operation of the Irish poor law system in the post-famine period. It traces the expansion of the system to encompass a wide range of welfare services, and explains the ideological and political context in which the expansion took place. After a general survey of the poor law system in the nineteenth century, the book analyses the poor law system in Ireland and the role of central government in overseeing the system's operation. It explores the impact of board nationalisation both on poor law administration and on the relationship between central and local administrators. Nationalist guardians were quick to realise that their powers under the Evicted Poor Protection Act could be used to support participants in the land campaign. The government's approach to distress in 1879-1880 was intended to avoid the mistakes made during the Great Famine. A more nuanced analysis of the labourers acts is provided here encompassing their origin, reception and operation. The poor law system catered predominantly for women, but was administered and staffed predominantly by men. The strength of Irish nationalism lay in its ability to construct a cohesive political community that cut across gender and class boundaries. By redefining criteria for relief, nationalist guardians helped to introduce a greater degree of flexibility into the relief system.
This book analyzes the early stages of the interior design profession as
articulated within the circles involved in the decoration of the private home in
the second half of nineteenth-century France. It argues that the increased
presence of the modern, domestic interior in the visual culture of the
nineteenth century enabled the profession to take shape. Upholsterers,
cabinet-makers, architects, stage designers, department stores, taste advisors,
collectors, and illustrators, came together to “sell” the idea of the unified
interior as an image and a total work of art. The ideal domestic interior took
several media as its outlet, including taste manuals, pattern books, illustrated
magazines, art and architectural exhibitions, and department store
catalogs. The chapters outline the terms of reception within which the work
of each professional group involved in the appearance and design of the
nineteenth-century French domestic interior emerged and focus on specific works
by members of each group. If Chapter 1 concentrates on collectors and taste
advisors, outlining the new definitions of the modern interior they developed,
Chapter 2 focuses on the response of upholsterers, architects, and
cabinet-makers to the same new conceptions of the ideal private interior.
Chapter 3 considers the contribution of the world of entertainment to the field
of interior design while Chapter 4 moves into the world of commerce to study how
department stores popularized the modern interior with the middle classes.
Chapter 5 returns to architects to understand how their engagement with popular
journals shaped new interior decorating styles.
This book is an attempt at a comprehensive presentation of the history of humanitarian intervention in the long nineteenth century, the heyday of this controversial doctrine. It starts with a brief presentation of the present situation and debate. The theoretical first part of the book starts with the genealogy of the idea, namely the quest for the progenitors of the idea in the sixteenth and seventeenth century which is a matter of controversy. Next the nineteenth century ‘civilization-barbarity’ dichotomy is covered and its bearing on humanitarian intervention, with its concomitant Eurocentric/Orientalist gaze towards the Ottomans and other states, concluding with the reaction of the Ottomans (as well as the Chinese and Japanese). Then the pivotal international law dimension is scrutinized, with the arguments of advocates and opponents of humanitarian intervention from the 1830s until the 1930s. The theoretical part of the book concludes with nineteenth century international political theory and intervention (Kant, Hegel, Cobden, Mazzini and especially J.S. Mill). In the practical second part of the book four cases studies of humanitarian intervention are examined in considerable detail: the Greek case (1821-1831), the Lebanon/Syria case (1860-61), the Balkan crisis and Bulgarian case (1875-78) in two chapters, and the U.S. intervention in Cuba (1895-98). Each cases study concludes with its bearing on the evolution of international norms and rules of conduct in instances of humanitarian plights. The concluding chapter identifies the main characteristics of intervention on humanitarian grounds during this period and today’s criticism and counter-criticism.
When physicians gathered in medical societies to present, share, discuss,
evaluate, publish and even celebrate their medical studies, they engaged in a
community with specific practices, rules and manners. This book explores the
formal and subtle ways in which such norms were set. It analyzes societies’
scientific publishing procedures, traditions of debate, (inter)national
networks, and social and commemorative activities, uncovering a rich scientific
culture in nineteenth-century medicine. The book focuses on medical societies in
Belgium, a young nation-state eager to take its place among the European
nations, in which the constitutional freedoms of press and association offered
new possibilities for organized sociability. It situates medical societies
within an emerging civil culture in Ghent, Brussels and Antwerp, and shows how
physicians’ ambitions to publish medical journals and organize scientific
debates corresponded well to the values of social engagement, polite debate and
a free press of the urban bourgeoisie. As such, this book offers new insights
into the close relation between science, sociability and citizenship. The
development of a professional academic community in the second half of the
century, which centered around the laboratory, went hand in hand with a set of
new scientific codes, mirroring to a lesser extent the customs of civil society.
It meant the end of a tradition of ‘civil’ science, forcing medical societies to
reposition themselves in the scientific landscape, and take up new functions as
mediators between specialties and as centers of postgraduate education.
Mobility was central to imperialism, from the human movements entailed in exploration, travel, and migration, to the information, communications and commodity flows vital to trade, science, governance and military power. While historians have written on exploration, commerce, imperial transport and communications networks, and the movements of slaves, soldiers, and scientists, few have reflected upon the social, cultural, economic and political significance of mobile practices, subjects, and infrastructures that underpin imperial networks, or examined the qualities of movement valued by imperial powers and agents at different times. This collection explores the intersection of debates on imperial relations, colonialism and empire with emerging work on mobility. In doing this, it traces how the movements of people, representations, and commodities helped to constitute empires. The collection examines things that moved across the British Empire, including, objects and ideas, as well as the efforts made to prevent and govern these movements. It also considers the systems, networks and infrastructures that enabled imperial mobilities to happen, and things that went wrong. The collection ranges from the late eighteenth century to the early twentieth century, a period that witnessed the eclipse of the ‘first’ British Empire in North America and the Caribbean, and the expansion of an imperial presence in Asia and Africa, and ends with the empire at its greatest extent in the interwar period. Geographically, it encompasses much of the territorial breadth of the British Empire in Africa, Asia, Australasia and the Caribbean. It also ranges off-shore and into the air.