Sarah Daynes

11 Rhetoric of oppression and social critique Can’t get no food to eat, can’t get no money to spend. Burning Spear, “Marcus Garvey,” 1975 Open your eyes and look with it Are you satisfied with the life you’re living? Bob Marley & the Wailers, “Exodus,” 1977 No need to shift through time and space into reality Cause it’s right up in your face it is so plain to see. Jahmali, “Time and space,” 1998 The message contained in reggae music is above all a message of denunciation: the point is to show what is really happening, based on the fundamental distinction made

in Time and memory in reggae music
Policing communities in fascist Italy
Jonathan Dunnage

3 Oppression and consensus-building: policing communities in fascist Italy Mussolini’s policemen Policing communities in fascist Italy Though endowing the police with greater powers and bringing opportunities for reform, the fascist dictatorship increased the burden and breadth of police tasks. This saw, above all, an intensification in political policing, determined by a wider definition than previously of what constituted ‘anti-national’ activity. Partly based on a detailed case study of the province and city of Siena, this chapter examines the function and

in Mussolini’s policemen
Bulletin of the John Rylands Library
Tommy Dickinson

1 Oppression and suppression of the sexual deviant, 1939–1967 I would sometimes question the treatments we were giving. [. . .] Then I would get home and turn on the television [. . .] and all over it was either ‘homosexuals should be accepted’, or ‘homosexuality is illegal, it is wrong, these people are irredeemable.’ And thank goodness; ‘psychiatry is trying to do something about it.’ [. . .] I just didn’t know who was right and what was wrong, it left me very perplexed.1 Introduction Nurses caring for patients receiving treatments for sexual deviations

in ‘Curing queers’
Kristina Aikens

Through an analysis of Dracula, this article will explore some of the hyperbolic rhetoric surrounding drug use and womens place in medical discourse that has, like the Count himself, risen again and again in our culture. It argues that Dracula attempts – through popular metaphors of addiction, shifting terminologies about drug use, and British anxieties about immigration – to make a clear but highly unstable distinction between licit and illicit drug use. In the process, Stoker‘s novel illuminates a complex relationship between middle-class women and the opiates that paradoxically serve as a site of patriarchal oppression and resistance to it.

Gothic Studies
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Postfeminist Gothic
Benjamin Brabon and Stéphanie Genz

In this introduction, we consider the intersection of two much debated and controversial concepts: postfeminism and Gothic, and we designate a new analytical category of ‘Postfeminist Gothic’. We suggest that postfeminism and Gothic are linked by their eschewal of a binary logic and their ‘anxiety about meaning’. As we contend, ‘Postfeminist Gothic’ moves beyond the Female Gothic with its historical associations with second wave feminism and female/feminine victimisation and it circumscribes a new space for critical exchange that re-examines notions of gender, agency and oppression.

Gothic Studies
Dominic Janes

In the early gothic literature of the eighteenth century danger lurked in the darkness beneath the pointed arches of gothic buildings. During the nineteenth century, there was a progressive, although never complete, dislocation of gothic literary readings from gothic architecture. This article explores a phase in that development through discussion of a series of dark illustrations produced by Hablot Knight Browne to illustrate novels by Charles Dickens. These show the way in which the rounded arches of neo-classical architecture were depicted in the mid-nineteenth century as locales of oppression and obscurity. Such depictions acted, in an age of political and moral reform, to critique the values of the system of power and authority that such architecture represented.

Gothic Studies
Theorizing the Nineteenth-Century Gothic Pharmography
Carol Margaret Davison

Liberty, a term dear to the Enlightenments emancipatory project, has long been a key concept in the Gothic. No branch of the Gothic more powerfully or creatively examines the complexities of the liberty question than the Gothic pharmography – a narrative chronicling drug/alcohol seduction and addiction. Drawing on three novelistic sub-genres – the Oriental tale, the imperial Gothic, and the Urban Gothic – the Gothic pharmography coalesces several distinct nineteenth-century debates – the nature of the will and liberal individualism; social oppression and conformity; urban and national degeneration; and British imperialist expansion, which involved the perceived anxiety-inducing sense of Britains growing economic dependence on the non-Western world. This essay offers an overview of the Gothic pharmography from the late eighteenth century through to the fin de siècle in Marie Corelli‘s Wormwood.

Gothic Studies
María José Sarrabayrouse Oliveira

The military coup of March 1976 in Argentina ruptured the prevailing institutional order, with the greater part of its repressive strategy built on clandestine practices and tactics (death, torture and disappearance) that sowed fear across large swathes of Argentine society. Simultaneously, the terrorist state established a parallel, de facto legal order through which it endeavoured to legitimise its actions. Among other social forces, the judicial branch played a pivotal role in this project of legitimisation. While conscious of the fact that many of those inside the justice system were also targets of oppression, I would like to argue that the dictatorship‘s approach was not to establish a new judicial authority but, rather, to build upon the existing institutional structure, remodelling it to suit its own interests and objectives. Based on an analysis of the criminal and administrative proceedings that together were known as the Case of the judicial morgue, this article aims to examine the ways in which the bodies of the detained-disappeared that entered the morgue during the dictatorship were handled, as well as the rationales and practices of the doctors and other employees who played a part in this process. Finally, it aims to reflect upon the traces left by judicial and administrative bureaucratic structures in relation to the crimes committed by the dictatorship, and on the legal strategies adopted by lawyers and the families of the victims.

Human Remains and Violence: An Interdisciplinary Journal
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Epistemology and Revolution in Charles Brockden Brown‘s Wieland
David Smith

In Wieland, Charles Brockden Brown attempted to negotiate varying forces confronting contemporary American religious and political life. Through the transformation of the temple into a Gothic zone Brown injects questions of epistemological uncertainty, clashing forces of rational Enlightenment and supernatural faith. Brown outlines the religiously motivated founding of the nation reacting to European oppression as allegorical to the Wieland patriarchs journey from the Old to New World, and his construction of the temple demonstrates the establishment of new institutions in the American landscape. Religious liberty turns into extremism, producing Gothic violence that transforms the temple into a site of horror and destruction. His children attempt to re-transform the temple along rational Enlightenment lines much the same as Brown perceived the need for America to distance itself from its revolutionary and religious extremist origins. Yet the failure of rationalism to expunge the supernatural aura from the temple allows for the tragic events to transpire that comprise the bulk of the novel. Ultimately, Brown‘s Gothic novel evinces the critical nature of the epistemological clash he sees taking place for the direction America will take, and his concerns that Gothic violence will reverberate throughout future generations find their expression in Wieland‘s temple.

Gothic Studies