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This is a critical introduction to the fictional and non-fictional writings of one of the most celebrated and significant literary voices to have emerged from India in recent decades. Encompassing all of Amitav Ghosh's writings to date, it takes a thematic approach that enables in-depth analysis of the cluster of themes, ideas and issues that Ghosh has steadily built up into a substantial intellectual project. This project overlaps significantly with many of the key debates in postcolonial studies and so this book is both an introduction to Ghosh's writing and a contribution to the development of ideas on the ‘postcolonial’ — in particular, its relation to postmodernism.

Open Access (free)
Digital Bodies, Data and Gifts
Kristin Bergtora Sandvik

’ , Public Culture , 24 : 1:66 , 157 – 84 . Rottenburg R. ( 2009 ), ‘ Social and Public Experiments and New Figurations of Science and Politics in Postcolonial Africa’ , Postcolonial Studies , 12 : 44 , 423 – 40 . Ruckenstein , M. and

Journal of Humanitarian Affairs
Corporations, Celebrities and the Construction of the Entrepreneurial Refugee Woman
Annika Bergman Rosamond and Catia Gregoratti

. Li , T. M. ( 2007 ), The Will to Improve: Governmentality, Development, and the Practice of Politics ( Durham, NC : Duke University Press ). Ling , L. H. M. ( 2017 ), ‘ Postcolonial-Feminism: Transformative Possibilities in Thought and Action, Heart and Soul ’, Postcolonial Studies , 19 : 4

Journal of Humanitarian Affairs
Editor: Dana Arnold

The need for a single public culture - the creation of an authentic identity - is fundamental to our understanding of nationalism and nationhood. This book considers how manufactured cultural identities are expressed. It explores how notions of Britishness were constructed and promoted through architecture, landscape, painting, sculpture and literature, and the ways in which the aesthetics of national identities promoted the idea of nation. The idea encompassed the doctrine of popular freedom and liberty from external constraint. Particular attention is paid to the political and social contexts of national identities within the British Isles; the export, adoption and creation of new identities; and the role of gender in the forging of those identities. The book examines the politics of land-ownership as played out within the arena of the oppositional forces of the Irish Catholics and the Anglo-Irish Protestant ascendancy. It reviews the construction of a modern British imperial identity as seen in the 1903 durbar exhibition of Indian art. The area where national projection was particularly directed was in the architecture and the displays of the national pavilions designed for international exhibitions. Discussions include the impact of Robert Bowyer's project on the evolution of history painting through his re-representation of English history; the country houses with architectural styles ranging from Gothic to Greek Revivalist; and the place of Arthurian myth in British culture. The book is an important addition to the field of postcolonial studies as it looks at how British identity creation affected those living in England.

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Author: Andrew Teverson

Salman Rushdie is one of the world's most important writers of politicised fiction. He is a self-proclaimed controversialist, capable of exciting radically divergent viewpoints; a novelist of extraordinary imaginative range and power; and an erudite, and often fearless, commentator upon the state of global politics today. This critical study examines the intellectual, biographical, literary and cultural contexts from which Rushdie's fiction springs, in order to help the reader make sense of the often complex debates that surround the life and work of this major contemporary figure. It also offers detailed critical readings of all Rushdie's novels, from Grimus through to Shalimar the Clown.

Postsocialist, post-conflict, postcolonial?
Author: Catherine Baker

This book explains theoretical work in postcolonial and postsocialist studies to offer a novel and distinctive insight into how Yugoslavia is configured by, and through, race. It presents the history of how ideas of racialised difference have been translated globally in Yugoslavia. The book provides a discussion on the critical race scholarship, global historical sociologies of 'race in translation' and south-east European cultural critique to show that the Yugoslav region is deeply embedded in global formations of race. It considers the geopolitical imagination of popular culture; the history of ethnicity; and transnational formations of race before and during state socialism, including the Non-Aligned Movement. The book also considers the post-Yugoslav discourses of security, migration, terrorism and international intervention, including the War on Terror and the refugee crisis. It elaborates how often-neglected aspects of the history of nationhood and migration reveal connections that tie the region into the global history of race. The book also explains the linkage between ethnic exclusivism and territory in the ethnopolitical logic of the Bosnian conflict and in the internationally mediated peace agreements that enshrined it: 'apartheid cartography'. Race and whiteness remained perceptible in post-war Bosnian identity discourses as new, open-ended forms of post-conflict international intervention developed.

New configurations of Frenchness in contemporary urban fiction
Steve Puig

past, which is still taboo in many aspects of French society – whether it be history books or just public debate – in order to shed new light on contemporary social issues like unemployment or racism. At the same time, postcolonial studies began to blossom in France, notably because historians started to establish a continuum between the colonial era and the present post(-)colonial situation, in which the banlieue itself can be seen as an internal colony. In this chapter, I wish to establish a parallel between 18 Reimagining North African immigration the development

in Reimagining North African Immigration
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The relic state
Pamila Gupta

differing agendas, collective and individual. In the following sections I lay out some of the general contours of this historical anthropology project; they in turn will illuminate some of the principal theoretical and methodological concerns and interventions underpinning this body of work. Colonial and postcolonial studies: ‘provincializing’ Portugal One

in The relic state
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Representing postcolonial African cinema
David Murphy and Patrick Williams

individual directors (Pfaff 1984 ; Signaté 1994 ; Murphy 2000a ; Fawal 2001 ; Wynchank 2003 ). 1 Building on the best of this criticism, this volume will bring together ideas from a range of disciplines – film studies, African cultural studies and, in particular, postcolonial studies – in order to combine the in-depth analysis of individual films and bodies of work by individual directors with a sustained interrogation of these films in relation to

in Postcolonial African cinema
Azzedine Haddour

consciousness and giving rise to a new humanism. As Achour suggests, Fanon is a relatively minor figure in France and Algeria. However, Achour glosses over the fact that this marginal character came from the outside (from the margins of colonial France) to occupy a central role in Anglo-American critical circles. It was predominantly in English, cultural studies and postcolonial studies programmes that he emerged as a global figure in the 1980s. Homi Bhabha’s Foreword to the publication of the 1986 edition of Fanon’s Black Skin, White Masks marked a revival in Fanonian

in Frantz Fanon, postcolonialism and the ethics of difference