Since 1980s, there has been a steady stream of excellent work on the politics of literature and the literature of politics in seventeenth century England. Work on Andrew Marvell has seen a resurgence in the new millennium, driven by landmark scholarly editions of both his poetry and his prose. This book invites readers to entertain the prospect of placing Marvell at the centre of the literary landscape, exploring how such placement would shift people's perceptions of seventeenth-century literary culture. It presents a collection of essays that are divided into three sections. The first section asks readers to consider novel ways in which early modern and contemporary readers have conceived of texts and their position in the public world of print consumption and critical practice. It focuses on the relationship between literary texts and their historical moments, aesthetics, contextualisation of the religious, political, or social and Marvell's lasting awareness of and fascination with the public. The second section outlines seventeenth-century accounts and perceptions of child abuse, and the problems of identifying and recounting the experience of abuse and the broader significance of the appeal to Marvell of European poetry. The last section takes up issues of literary relations between prominent authors of the century. It illustrates how Marvell's depiction also stands in relation to Dutch representations of de Ruyter's victory, which emphasised the martial heroism as well as the negative consequences of the English monarchy's economic policies.
conceived of texts and their position in the public world of printconsumption and critical practice. This section begins with two essays that invite us
to ponder anew the relationship between literary texts and their historical
moments. In ‘Impractical criticism: close reading and the contingencies
of history’, Michael Schoenfeldt makes a compelling case for a reinvigorated interdisciplinarity that combines attention to aesthetics – and indeed
aesthetic pleasure – with contextualisation of the religious, political, or
social pressures under which texts