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The newly digitised Manchester Observer (1818–22) was England’s leading radical newspaper at the time of the Peterloo meeting of August 1819, in which it played a central role. For a time it enjoyed the highest circulation of any provincial newspaper, holding a position comparable to that of the Chartist Northern Star twenty years later and pioneering dual publication in Manchester and London. Its columns provide insights into Manchester’s notoriously secretive local government and policing and into the labour and radical movements of its turbulent times. Rich materials in the Home Office papers in the National Archives reveal much about the relationship between radicals in London and in the provinces, and show how local magistrates conspired with government to hound the radical press in the north as prosecutions in London ran into trouble. This article also sheds new light on the founding of the Manchester Guardian, which endured as the Observer’s successor more by avoiding its disasters than by following its example. Despite the imprisonment of four of its main editors and proprietors the Manchester Observer battled on for five years before sinking in calmer water for lack of news.
The black flag means negation, anger, outrage, mourning, beauty, hope, and the fostering and sheltering of new forms of human life and relationship on and with the earth. This book aims to destroy many of the assumptions and stereotypes about anarchism, anarchists, and anarchist movements. It introduces Mario Diani's definition of a social movement: networks of individuals and organizations, united by some shared identity, that engage in extra-institutional action with the interest of changing society. Social movements must be composed of individuals. The book provides new insights into individual participants in anarchist movements by investigating what the micro-level characteristics of contemporary anarchists are, and how these characteristics differ from those of anarchists in past movements. The anarchist movement can be interrogated from many vantage points (especially macro- and meso-analyses), in both longitudinal and cross-sectional contexts. The book explores the usefulness (or lack thereof) of social movement theories for understanding anarchist movements. It challenges the assumption that the state is a strategic location of opportunity from the perspective of radical, anti-state movements. The essential dimensions of "new social movement" (NSM) theories are discussed, with highlights on the differences between the contemporary anarchist movement and other NSMs. The book also explores ideas from major social capital theorists, and considers the value of social capital. Whereas most sociological research on anti-authoritarian diffusion and isomorphism has focused on mainstream organizations or reformist social movements, anarchist movements pose a particular challenge to the earlier findings focused on the non-anarchists.
3 Radical visual culture: from caricature to portraiture The previous chapter highlighted the importance of portraiture for shaping the identities of the political parties formed in the wake of the 1832 Reform Act. However, it was radicals who were consistently the most innovative in their exploitation of new visual technologies. This was no coincidence. Portraiture was even more valuable to radical movements, which frequently experienced media indifference or hostility. To counter this, radicals produced their own series to project their own self-image to
for a merger with other groups. A special conference of the Wolfe Tone Soicety on the weekend of 24 and 25 June in Dublin was given a paper by Johnston on radical movements in Ireland. His analysis of the Communist movement in earlier years referred to its ‘relative isolation’, a ‘negative tradition of Stalinism’ and ‘failure to come to grips with the existence of the national question’, but it did have ‘members with considerable influence in the trade union movement’, and its members were prospective allies. Anthony Coughlan delivered a paper on the development and
. The contribution of the early (or colonial) radical movements and individuals in British Guiana (now Guyana) to the anti-colonial, labour movement and nationalist movement, is largely unrecorded. Early radicalism in Guyana was varied in organisation, scope, duration and cause. I contend that in this general assessment of anti-systemic movements and individuals, the broad descriptive ‘radical’ was ideologically diffuse and fundamentally pliable given the powerful hegemonic forces at work in the colony and the region
This chapter charts the sudden rise and brutal fall of the Paris Commune, a revolutionary movement that seized control of the City of Light in the aftermath of France’s defeat in the Franco-Prussian War of 1870–1871. Comprising Jacobins, socialists, anarchists, republicans and even the wandering soldier-of-fortune Cluseret, the Commune represented the ideological diversity of the world’s radical movements or, as one newspaper had it – ‘the most fiendish representation of internationalist terrorism that has ever been seen ’. The lack of ideological cohesion in the Commune led to outside observers judging it by whatever prejudices they held. Some believed the Commune was a return to the sanguinary practices of the original French Revolution, whilst others feared it marked the arrival of communism in Europe. For police chiefs inured of terrorist conspiracy theories, the Commune provided evidence for their beliefs, necessitating a brutal suppression of the Communards in May 1871. Undeterred, certain Communards – Louise Michel and Élisée Reclus in particular – continued to dream of their revolutionary struggle.
Precarious objects is a book about activism and design. The context is the changes in work and employment from permanent to precarious arrangements in the twenty-first century in Italy. The book presents design interventions that address precarity as a defuturing force affecting political, social and material conditions. Precarious objects shows how design objects, called here ‘orientation devices’, recode political communication and reorient how things are imagined, produced and circulated. It also shows how design as a practice can reconfigure material conditions and prefigure ways to repair some of the effects of precarity on everyday life. Three microhistories illustrate activist repertoires that bring into play design, and design practices that are grounded in activism. While the vitality, experimental nature and traffic between theory and praxis of social movements in Italy have consistently attracted the interest of activists, students and researchers in diverse fields, there exists little in the area of design research. This is a study of design activism at the intersection of design theory and cultural research for researchers and students interested in design studies, cultural studies, social movements and Italian studies.
German philosopher Jürgen Habermas has written extensively on the European Union.
This is the only in-depth account of his project. Published now in a second
edition to coincide with the celebration of his ninetieth birthday, a new
preface considers Habermas’s writings on the eurozone and refugee crises,
populism and Brexit, and the presidency of Emmanuel Macron.
Placing an
emphasis on the conception of the EU that informs Habermas’s political
prescriptions, the book is divided into two main parts. The first considers the
unfolding of 'social modernity' at the level of the EU. Among the
subjects covered are Habermas's concept of juridification, the
latter's affinities with integration theories such as neofunctionalism, and
the application of Habermas's democratic theory to the EU. The second part
addresses 'cultural modernity' in Europe – 'Europessimism'
is argued to be a subset of the broader cultural pessimism that assailed the
project of modernity in the late twentieth century, and with renewed intensity
in the years since 9/11.
Interdisciplinary in approach, this book engages
with European/EU studies, critical theory, political theory, international
relations, intellectual history, comparative literature, and philosophy. Concise
and clearly written, it will be of interest to students, scholars and
professionals with an interest in these disciplines, as well as to a broader
readership concerned with the future of Europe
English radicalism has been a deep-rooted but minority tradition in the political culture since at least the seventeenth century. The central aim of this book is to examine, in historical and political context, a range of key events and individuals that exemplify English radicalism in the twentieth century. This analysis is preceded by defining precisely what has constituted this tradition; and by the main outline of the development of the tradition from the Civil War to the end of the nineteenth century. Three of the main currents of English radicalism in the twentieth century have been the labour movement, the women’s movement and the peace movement. These are discussed in some detail, as a framework for the detailed consideration of ten key representative figures of the tradition in the twentieth century: Bertrand Russell, Sylvia Pankhurst, Ellen Wilkinson, George Orwell, E.P. Thompson, Michael Foot, Joan Maynard, Stuart Hall, Tony Benn and Nicolas Walter. The question of ‘agency’ – of how to bring about radical change in a predominantly conservative society and culture – has been a fundamental issue for English radicals. It is argued that, in the twentieth century, many of the important achievements in progressive politics have taken place in and through extra-parliamentary movements, as well as through formal political parties and organisations – the Labour Party and other socialist organisations – and on occasion, through libertarian and anarchist politics. The final chapter considers the continuing relevance of this political tradition in the early twenty-first century, and reviews its challenges and prospects.
In May 1958, and four years into the Algerian War of Independence, a revolt again appropriated the revolutionary and republican symbolism of the French Revolution by seizing power through a Committee of Public Safety. This book explores why a repressive colonial system that had for over a century maintained the material and intellectual backwardness of Algerian women now turned to an extensive programme of 'emancipation'. After a brief background sketch of the situation of Algerian women during the post-war decade, it discusses the various factors contributed to the emergence of the first significant women's organisations in the main urban centres. It was only after the outbreak of the rebellion in 1954 and the arrival of many hundreds of wives of army officers that the model of female interventionism became dramatically activated. The French military intervention in Algeria during 1954-1962 derived its force from the Orientalist current in European colonialism and also seemed to foreshadow the revival of global Islamophobia after 1979 and the eventual moves to 'liberate' Muslim societies by US-led neo-imperialism in Afghanistan and Iraq. For the women of Bordj Okhriss, as throughout Algeria, the French army represented a dangerous and powerful force associated with mass destruction, brutality and rape. The central contradiction facing the mobile socio-medical teams teams was how to gain the trust of Algerian women and to bring them social progress and emancipation when they themselves were part of an army that had destroyed their villages and driven them into refugee camps.