Search results

Abstract only
Anthony Ascham and English political thought, 1648–50
Author: Marco Barducci

The Puritan Revolution of mid-seventeenth-century England produced an explosion of new and important political thinking. In addition to most famous thinkers, Thomas Hobbes, Sir Robert Filmer and the Levellers, there are other important figures who have been relatively neglected, of whom Anthony Ascham is one. This book is the first full-scale study of Ascham's political thought. Ascham's works were intended to convince lay Presbyterians and royalists to adhere to the policy of national pacification implemented from 1648 by the Independent 'party' within Parliament. From 1648 to 1650 Ascham's propaganda primarily dealt with the issue of the validity of oaths, and insisted on the reciprocal relation between obedience and protection. The first part of Ascham's Discourse focused on 'what things, and how farre a man may lawfully conform to the power and commands of those who hold a kingdome divided by civill warre'. Ascham adopted a twofold line of argument: in the first, he sought to demonstrate that war was consistent with natural law and scripture. Secondly, not all types of war were consistent with the Christian religion and the natural law of self-preservation, only the defensive war. Ascham's natural law theory, which he drew from Hugo Grotius, Thomas Hobbes and John Selden, had therefore both civil and religious implications. Ascham proposed a synthesis between Grotius and Niccolò Machiavelli, underlining the priority of state order over political participation, and justifying war as a means of accessing power only to confirm the necessity of re-establishing order.

David Myers

were originally separate: in the art of Painting it implies, in addition to this, such an arrangement and reciprocal relation of these materials, as shall constitute them so many essential parts of a whole. (Allston, Lectures on art , online) Allston's conceptualization would engage issues beyond those of painting and art: a broad-brushed stab at the mind–body problem. Given the breadth of his argument, it is then interesting to note what elements T. S. Eliot later chose to retain within his own, more influential conceptualization of an objective

in Games are not
Elisabeth Bronfen

/result of a woman’s death, with ‘cause’ and ‘result’ forming an ambivalently reciprocal relation. Explicitly thematising a conjunction of image, femininity and death, the narrative representations I will discuss equally address the relation between identification, pleasure and subjectivity, as this too is unseverable from death. If my previous examples were each representations of a

in Over her dead body
Abstract only
Marco Barducci

after ‘against his will’. There was no room for ambiguities in the social compact, affirmed Ascham: either we obeyed in return for protection, or we perpetuated the status belli . In conclusion, from 1648 to 1650 Ascham’s propaganda primarily dealt with the issue of the validity of oaths, and insisted on the reciprocal relation between obedience and protection. Ascham’s argument in support of

in Order and conflict
Between policy, practice, and politics
Janika Kuge

social emancipatory movement that exceeds and usually pre-dates the policy itself, and that often follows a different rationality. A reciprocal relation between these two elements, influencing and evaluating the goals and contents of what a sanctuary city can become, makes it a process rather than a status or a condition (Walia, 2014 ). The efficacy of sanctuary cities is also tied to legal boundaries that are pre-set by laws at other spatial and legal scales. What practices institutions can facilitate is often shaped by national legal

in Sanctuary cities and urban struggles
Azzedine Haddour

constitutes in Merleau-Ponty the reciprocal relation between body and the world, between the embodied self and its others, is attenuated by racism. In Weate’s terms: ‘Fanon points to a fundamental asymmetry between blacks and whites and the active relation to “the world”.’69 Fanon’s analysis of black Erlebnis clearly problematizes orthodox phenomenology, and in particular the thought of MerleauPonty. The putative sameness that exists across all able-bodied beings The significance of Sartre in Fanon 49 in Merleau-Ponty’s theorizing is ‘nullified and rendered naive by

in Frantz Fanon, postcolonialism and the ethics of difference
Franco-Maghrebi identity in Hassan Legzouli’s film Ten’ja
Ramona Mielusel

individuals are Others for the people surrounding them. This is a normal position in a globalized contemporary world and it is not a specifically Franco-Maghrebi matter. In Soi-même comme un autre (1990), Paul Ricoeur reinstates the idea of defining oneself by constant reference to the other as a binary and reciprocal relation: one can always discover one’s otherness by distinguishing one’s identity from the other person. By the same token, Nordine can better understand himself after this experience because he discovered otherness (his Moroccan-ness) in France, the same way

in Reimagining North African Immigration
Abstract only
Stephen Greer

’ (Esposito  14 14 Queer exceptions 2013: 85). In response, Esposito calls for a reconceptualisation of community and immunity that places them in reciprocal relation. In this conceptual frame, immunity is posed not as a barrier of separation but a filter of relations: a potential mode of continuous exchange ‘between an internalised outside and an externalised inside’ (Esposito 2011: 174). As I will argue most directly in discussion of Martin O’Brien’s work in ­chapter  6, this metaphor is valuable to a queer critique of exceptionality for its deconstruction of the

in Queer exceptions
Willem de Blécourt

from which only Lismene can release her. The tale then continues with the errands Lismene is made to perform: to pick pears from an enchanted tree and to obtain flowers full of gems from the garden of a cursed mill. Where Lismene succeeds with the help of the Nayades (water nymphs), her stepsister Pigriese ignores the warnings and fails to enter into a reciprocal relation with the beings that would

in Tales of magic, tales in print
Derek Robbins

situation of a man who is ‘tortured so as to make him talk’ (Merleau-Ponty, 1962, 453; 1945a, 518), suggesting that there is, for such a man, a compulsion to resist which is dictated by his awareness of the attitudes of those comrades with whom he has become associated. He is free to betray them but constrained by their expectations (by which his dispositions were inter-subjectively constituted in reciprocal relation with theirs). J.-P. Cléro (2001) has taken this passage to be an oblique reference to the situation of resistants subjected to torture during the Nazi

in The Bourdieu paradigm