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This book is an open-ended critical account of the Gawain-poems. The four poems of MS Cotton Nero A.x, Art. 3 are untitled in the manuscript, but titled by modern editors, in manuscript order: Pearl, Cleanness (or Purity), Patience, and Sir Gawain and the Green Knight. The poems testify that he was cultivated, with an appreciation of the finer points of chivalric life, and also deeply religious - a cleric, no doubt, given his biblical knowledge, his interest in Christian doctrine, and his understanding of sermon style. Pearl is a religious dream-vision in which the dream is largely taken up by dialogue between the narrator or dreamer, as a figure in his dream, and a woman who is a fount of divine wisdom. Cleanness combines discussion of a religious virtue with retelling of stories from the Bible. Its three main stories are from the Old Testament, and they centre on Noah, Sodom and Gomorrah, and Belshazzar's feast. Patience is a poem that combines discussion of a moral quality with biblical narrative, in the case of Patience, one narrative only, the story of Jonah.Sir Gawain is a record of, and tribute to, the beauties and pleasures of chivalric life. Pearl, Cleanness, and Patience suggest that for the poet national events may have merged with events in his own life to challenge his faith. With Gawain too it is possible that the public and the personal intermingle to shake his faith in chivalry and the feudal model of social order.

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The last shall be first
J. J. Anderson

Introduction Pearl is a religious dream-vision in which the dream is largely taken up by dialogue between the narrator or dreamer, as a figure in his dream, and a woman who is a fount of divine wisdom. The closest analogy in fourteenth-century English writing is the dream-dialogue between the dreamer and Lady Holy Church in Passus I of the B-text of Piers Plowman . 1 In both the dreamer figure struggles with the great question of how to make the church’s teaching on salvation meaningful to him. Piers Plowman is vast and multi-faceted but Pearl is

in Language and imagination in the Gawain-poems
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Calendar time in balade form
Catherine Sanok

their experiences – their ‘forward’ asks whether time is a shared phenomenon, inhabited alike by any two people. The poem gives a negative answer, less in the mortal danger to which Gawain’s final day exposes him when he keeps Lady Bercilak’s belt in violation of his oath, than in the uneven narrative dilation of the bedroom and hunt scenes. The hunter and the hunted, of course, have very different experiences of time. Modern categories that distinguish a ‘secular’ romance such as Sir Gawain and the Green Knight from, say, a ‘religiousdream vision such as Pearl had

in Sanctity as literature in late medieval Britain