This book produces an important re-theorisation of the ways gender, time and
Judaism have been considered in late medieval biblical drama. It employs
theories of gender, performance, antisemitism, queer theory and periodisation to
complicate readings of early theatre’s biblical matriarchs and patriarchs. It
argues that the conflicts staged by these plays provide crucial evidence of the
ways late medieval lay producers, performers and audiences were themselves
encouraged to question, experience, manipulate and understand time.
Interrogating medieval models of supersession and typology alongside more
contemporary models of ‘queer’ and topological time, this book charts the
conflicts staged between dramatic personae in plays that represent theological
transitions or ruptures, such as the Incarnation, Flood, Nativity and Bethlehem
slaughter. While these plays reflect a Christian preoccupation with what it
asserted was a ‘superseded’ Jewish past, this book asks how these models are
subverted when placed in dialogue with characters who experience alternative
readings of time.
The digital era has brought about huge transformations in the map itself, which
to date have been largely conceptualised in spatial terms. The emergence of
novel objects, forms, processes and approaches in the digital era has, however,
posed a swathe of new, pressing questions about the temporality of digital maps
and contemporary mapping practices, and in spite of its implicit spatiality,
digital mapping is strongly grounded in time. In this peer-reviewed collection
we bring time back into the map, taking up Doreen Massey's critical concern
for 'ongoing stories' in the world, but asking how mapping continues
to wrestle with the difficulty of enrolling time into these narratives, often
seeking to ‘freeze’ and ‘fix’ the world, in lieu of being able to, in some way,
represent, document or capture dynamic phenomena. This collection examines how
these processes are impacted by digital cartographic technologies that,
arguably, have disrupted our understanding of time as much as they have provided
coherence. The book consists of twelve chapters that address different kinds of
digital mapping practice and analyse these in relation to temporality. Cases
discussed range from locative art projects, OpenStreetMap mapping parties,
sensory mapping, Google Street View, visual mapping, smart city dashboards and
crisis mapping. Authors from different disciplinary positions consider how a
temporal lens might focus attention on different aspects of digital mapping.
This kaleidoscopic approach generates a rich plethora for understanding the
temporal modes of digital mapping. The interdisciplinary background of the
authors allows multiple positions to be developed.
This book provides the first history of how we have imagined and used time since 1700. It traces the history of the relationship between work and leisure, from the 'leisure preference' of male workers in the eighteenth century, through the increase in working hours in the later eighteenth and early nineteenth centuries, to their progressive decline from 1830 to 1970. It examines how trade union action was critical in achieving the decline; how class structured the experience of leisure; how male identity was shaped by both work and leisure; how, in a society that placed high value on work, a 'leisured class' was nevertheless at the apex of political and social power – until it became thought of as 'the idle rich'. Coinciding with the decline in working hours, two further tranches of time were marked out as properly without work: childhood and retirement. By the mid-twentieth century married men had achieved a work- leisure balance. In the 1960s and 1970s it was argued that leisure time would increase at a rapid rate. This false prediction coincided with the entry of married women into the labour market and a halt to the decline in working hours and in sectors of the economy a reversal of it. These two developments radically changed the experience of time and thinking about it. Time became equated with achieving a 'work-life balance' where 'life' was often unpaid childcare and domestic work.
This book explores connections between theatre time, the historical moment, and fictional time. It argues that a crucial characteristic of contemporary British theatre is its preoccupation with instability and danger, and traces images of catastrophe and loss in a wide range of recent plays and productions. The diversity of the texts that are examined is a major strength of the book. In addition to plays by contemporary dramatists, the book analyses staged adaptations of novels, and productions of plays by Euripides, Strindberg and Priestley. A key focus is Stephen Daldry's award-winning revival of Priestley's An Inspector Calls, which is discussed in relation both to other Priestley ‘time’ plays and to Caryl Churchill's apocalyptic Far Away. Lost children are a recurring motif. Bryony Lavery's Frozen, for example, is explored in the context of the Soham murders, which took place while the play was in production at the National Theatre, whilst three virtually simultaneous productions of Euripides' Hecuba are interpreted with regard to the Beslan massacre of schoolchildren.
This book offers the first authoritative guide to assumptions about time in theories of contemporary world politics. It demonstrates how predominant theories of the international or global ‘present’ are affected by temporal assumptions, grounded in western political thought, which fundamentally shape what we can and cannot know about world politics today. In so doing, the book puts into question the ways in which social scientists and normative theorists diagnose ‘our’ post-Cold War times. The first part of the book traces the philosophical roots of assumptions about time in contemporary political and international theory. The second part examines contemporary theories of world politics, including liberal and realist International Relations theories and the work of Habermas, Hardt and Negri, Virilio and Agamben. In each case, it is argued, assumptions about political time ensure the identification of the particular temporality of western experience with the political temporality of the world as such and put the theorist in the unsustainable position of holding the key to the direction of world history. In the final chapter, the book draws on postcolonial and feminist thinking, and the philosophical accounts of political time in the work of Derrida and Deleuze, to develop a new ‘untimely’ way of thinking about time in world politics.
Much of the world today is governed by the clock. The project to incorporate the globe within a matrix of hours, minutes and seconds demands recognition as one of the most significant manifestations of Europe's universalising will. This book is an examination of the ways that western-European and specifically British concepts and rituals of time were imposed on other cultures as a fundamental component of colonisation during the nineteenth century. It explores the intimate relationship between the colonisation of time and space in two British settler-colonies and its instrumental role in the exportation of Christianity, capitalism and modernity. Just as the history of colonialism is often written without much reference to time, the history of time is frequently narrated without due reference to colonialism. Analysing colonial constructions of 'Aboriginal time', the book talks about pre-colonial zodiacs that have been said to demonstrate an encyclopedic oral knowledge of the night sky. Temporal control was part of everyday life during the process of colonization. Discipline and the control of human movements were channelled in a temporal as well as a spatial manner. In the colony of Victoria, missions and reserves sought to confine Aboriginal people within an unseen matrix of temporal control, imposing curfews and restrictions which interrupted the regular flow of pre-colonial patterns, rituals and calendars. Christianity had brought civilised conceptions of time to the Xhosa. Reports of Sabbath observance were treated by Britain's humanitarians as official evidence of missionary success in planting the seeds of Christianity, commerce and civilization.
Queering the Nativity in the Towneley Second Shepherds’ Play
This voice, wanting and unfulfilled in the now as it is conventionally construed, this voice whose desire requires, even demands, another kind of time beyond such linearity, empty and homogenous, is a queer voice. 1
MAK: And ilke yere that commys to man She bryngys furth a lakan, And some yeres two. 2
Carolyn Dinshaw’s ground-breaking work How Soon is Now? provides an insight into how it might feel to be an anachronism in the Middle Ages. Identifying ‘forms of desirous, embodied being that are out of sync with the ordinary linear
On the basis of a body of reggae songs from the 1970s and late 1990s, this book offers a sociological analysis of memory, hope and redemption in reggae music. From Dennis Brown to Sizzla, the way in which reggae music constructs a musical, religious and socio-political memory in rupture with dominant models is illustrated by the lyrics themselves. How is the past remembered in the present? How does remembering the past allow for imagining the future? How does collective memory participate in the historical grounding of collective identity? What is the relationship between tradition and revolution, between the recollection of the past and the imagination of the future, between passivity and action? Ultimately, this case study of ‘memory at work’ opens up on a theoretical problem: the conceptualisation of time and its relationship with memory.
Digital photography and cartography in Wolfgang Weileder’s
‘Space-crossed time’: digital
photography and cartography
in Wolfgang Weileder’s Atlas1
The places we have known do not belong only to the world of space on which we
map them for our own convenience. They were only a thin slice, held between the
contiguous impressions that composed our life at that time; the memory of a particular image is but regret for a particular moment; and houses, roads, avenues are as
fugitive, alas, as the years. (Proust, 2002: 513)
The creation of an ‘Atlas’ is an ambitious project. The word suggests accuracy in
3200TimeandWorldPolitics.qxd:2935 The Biopolitics
Time for democracy
N the previous chapter I argued that ‘scientific’ attempts to diagnose the post1989 times of world politics, in spite of their explicit rejection of historicism,
nevertheless depended on kairotic meta-narratives of political temporality. The
familiar ghost of philosophical history, in which the scholar’s task is both to
identify the ‘real’ mechanisms underlying historical development and to intervene, or enable intervention, positively in relation to