beings as people while deconstructing our ideas about what counts as people. Think Blade Runner or Frankenstein: the ethics of the ecological thought is to regard beings as people even when they aren't people. Ancient animisms treat beings as people, without a concept of Nature.
Contemporary Nordic trollGothic certainly deals with the issues outlined above. It explores how humans are connected to
Nordic Gothic traces Gothic fiction in the Nordic region from its beginnings in the nineteenth century with a main focus on the development of Gothic from the 1990s onwards in literature, film, TV series and new media. The volume gives an overview of Nordic Gothic fiction in relation to transnational developments and provides a number of case studies and in-depth analyses of individual narratives. The book creates an understanding of a ubiquitous but hitherto under-researched cultural phenomenon by showing how the Gothic narratives make visible cultural anxieties haunting the Nordic countries and their welfare systems, and how central these anxieties are for the understanding of identities and ideologies in the Nordic region. It examines how figures from Nordic folklore and mythology function as metaphorical expressions of Gothic themes, and also how universal Gothic figures such as vampires and witches are used in the Nordic context. The Nordic settings, and especially the Nordic wilderness, are explored from perspectives such as ecocriticism and postcolonialism and subcategories such as Gothic crime, Gothic humour, troll Gothic and geriatric Gothic are defined and discussed. Furthermore, the phenomenon of transcultural adaptation is investigated, using the cases of Lars von Trier’s Riget and John Ajvide Lindqvist’s Låt den rätte komma in, two seminal works of contemporary Nordic Gothic.
Maria Holmgren Troy, Johan Höglund, Yvonne Leffler and Sofia Wijkmark
Chapter 6 , ‘Nordic trollGothic’, Sofia Wijkmark explores the phenomenon of Nordic trollGothic. She demonstrates how late twentieth and twenty-first century troll fiction can be understood in relation to the concepts of ecogothic and dark ecology, and how the ambiguous character of the troll is used to explore limits and question categories. Nature, especially the forest, is depicted as dark and uncanny and it is sometimes also described as having agency, dissolving the limits between the animate and inanimate. Wijkmark analyses troll stories by Swedish authors Selma