Unfolding Irish landscapes offers a comprehensive and sustained study of the work of cartographer, landscape writer and visual artist Tim Robinson. The visual texts and multi-genre essays included in this book, from leading international scholars in Irish Studies, geography, ecology, environmental humanities, literature and visual culture, explore Robinson’s writing, map-making and art. Robinson’s work continues to garner significant attention not only in Ireland, but also in the United Kingdom, Europe and North America, particularly with the recent celebration of the twenty-fifth anniversary of his monumental Stones of Aran: pilgrimage. Robert Macfarlane has described Robinson’s work in Ireland as ‘one of the most sustained, intensive and imaginative studies of a landscape that has ever been carried out’. It is difficult to separate Robinson the figure from his work and the places he surveys in Ireland – they are intertextual and interconnected. This volume explores some of these characteristics for both general and expert readers alike. As individual studies, the essays in this collection demonstrate disciplinary expertise. As parts of a cohesive project, they form a collective overview of the imaginative sensibility and artistic dexterity of Robinson’s cultural and geographical achievements in Ireland. By navigating Robinson’s method of ambulation through his prose and visual creations, this book examines topics ranging from the politics of cartography and map-making as visual art forms to the cultural and environmental dimensions of writing about landscapes.
This book presents a study of material images and asks how an appreciation of the
making and unfolding of images and art alters archaeological accounts of
prehistoric and historic societies. With contributions focusing on case studies
including prehistoric Britain, Scandinavia, Iberia, the Americas and Dynastic
Egypt, and including contemporary reflections on material images, it makes a
novel contribution to ongoing debates relating to archaeological art and images.
The book offers a New Materialist analysis of archaeological imagery, with an
emphasis on considering the material character of images and their making and
unfolding. The book reassesses the predominantly representational paradigm of
archaeological image analysis and argues for the importance of considering the
ontology of images. It considers images as processes or events and introduces
the verb ‘imaging’ to underline the point that images are conditions of
possibility that draw together differing aspects of the world. The book is
divided into three sections: ‘Emergent images’, which focuses on practices of
making; ‘Images as process’, which examines the making and role of images in
prehistoric societies; and ‘Unfolding images’, which focuses on how images
change as they are made and circulated. The book features contributions from
archaeologists, Egyptologists, anthropologists and artists. The contributors to
the book highlight the multiple role of images in prehistoric and historic
societies, demonstrating that archaeologists need to recognise the dynamic and
changeable character of images.
Debates Surrounding Ebola Vaccine Trials in Eastern Democratic Republic of
Myfanwy James, Joseph Grace Kasereka, and Shelley Lees
unfolded among actual and potential trial participants. Research participants are
rarely involved in ethical debates in which they are so centrally implicated: but to
understand the complexity of medical research, it is crucial to ‘recognise
its study subjects as interlocutors in ongoing global ethics debates, not as mere
objects of ethical responsibility’ ( Geissler and Pool, 2006 : 975). We adopt an anthropological approach
which examines the lived experience of ‘postcolonial techno
This article examines fictional film narratives from the perspectives of a
chrono-urbanism, concerned with the ways in which cinema maps the unfolding of time
in cities. It examines how films treat the urban night – as territory, as one side of
a boundary, as a substance which falls upon the city. These treatments are explored
by examining a limited corpus of single-night narratives, films whose narratives
unfold over a single night. Drawing on a variety of recent texts that trace the
history of the night in cities, this article distinguishes between different
narrative patterns within which the urban night unfolds and becomes meaningful.
A Framework for Measuring Effectiveness in Humanitarian Response
Vincenzo Bollettino and Birthe Anders
metrics to measure civil–military engagement. Previous literature on the subject has described some of the benefits and potential risks of different types of engagement between military and humanitarian actors. Numerous case studies on engagement in specific emergency settings also exist. To date, however, quantifiable data on how civil–military engagement unfolds and which factors influence the effectiveness of coordination is lacking.
This paper aims to make a contribution to addressing the gap in the data by outlining a framework of indicators that can be used to
being increasingly eroded and undermined, both as service beneficiaries and as
providers. In turn, as we consider the short- and long-term implications of Palestinians’
experiences of the events unfolding in 2018, further analyses must consider how the localisation
of aid agenda can uphold, rather than undermine, the rights of refugees and local citizens
working to support refugees. Indeed, as the international community increasingly promotes
localisation and self-reliance, it remains to be seen how (and by whom) fair remuneration
Antonio Fogazzaro‘s Malombra combines features of the Gothic novel with an interest in the environment, natural and artificial. The story of a woman who lives in a Palazzo and believes she is the reincarnation of her late ancestor unfolds a narrative constantly engaged with the issues of place and space. Human and nonhuman features play a significant role in the narrative within whose complex and intricate setting the characters interact. By focusing on the main character‘s engagement with the surrounding world the article aims at shedding a new light on the long discussed issues of double identity, showing how the novel portrays instead a symbiotic relationship with the environment.
Rashomon opens at the edge of a destroyed city and the story that unfolds is a study
in the subjective experience of reality that revolves around an unsolved set of
mysteries: Was the woman raped? Who killed the husband? As its director, Akira
Kurosawa noted, the action takes place in the forest where the human heart goes
astray; the trope of becoming morally lost in the wilderness is one that he used
frequently. What happens when the ‘Rashomon technique’ is transferred to an urban
setting as in the television series Boomtown, set in modern Los Angeles?
Noble Communities and the Completion of the Psalter-Hours John Rylands Library Latin MS 117
Judging from repetitious appearances of her marital arms in the painted line-endings, the Psalter-Hours John Rylands Library Latin MS 117 probably belonged to Jeanne of Flanders (c.1272–1333), daughter of Count Robert III of Flanders and in 1288 second wife to Enguerrand IV of Coucy. Yet the line-endings also contain some 1,800 diminutive painted escutcheons, many of which refer to other members of the local nobility active during the 1280s. This study, based on an exhaustive survey of the total heraldic and codicological evidence, suggests that the majority of the extant Psalter predated the Hours and that the two parts were combined after the 1288 marriage. The ‘completed’ manuscript bears witness to major events that unfolded in and around the Coucy barony over the course of the decade. It suggests a complex relationship between Jeanne of Flanders and a lesser member of the local nobility, a certain Marien of Moÿ, who may have served as her attendant.
Rhetoric and Identity in James Baldwin’s Revolution
Davis W. Houck
Despite the proliferation of interest in James Baldwin across popular culture and the
academy, few, if any, critical studies of his public oratory have been conducted. This is
unfortunate and ironic—unfortunate because Baldwin was a marvelous orator, and ironic in
that his preferred solution to what ailed whites and blacks as the Civil Rights movement
unfolded was thoroughly rhetorical. That is, Baldwin’s racial rhetorical revolution
involved a re-valuing of the historical evidence used to keep blacks enslaved both
mentally and physically across countless generations. Moreover, for Baldwin the act of
naming functions to chain both whites and blacks to a version of American history
psychologically damaging to both. Three speeches that Baldwin delivered in 1963 amid the
crucible of civil rights protest illustrate these claims.