Del Principe argues that a compelling historical and political vision of post-unification Italy lies beneath the preternatural façade of Ugo Tarchettis Fantastic Tales, and that the authors transgressive approach to social realism is a reflection of the vast, cultural transformations of the period. Del Principe proposes correlations between sexual and political realms surfacing in Tarchettis narrative as indicators of mutating class structure and emerging capitalism. An examination of spatial allegories engages a discussion of psychic and physical modes of hysteria and xenophobic reactions that stem from the nationalistic fervor of post-unification Italy.
This article argues that the allegorical interpretations of the Gothic sublime made by materialist critics like Franco Moretti and Judith Halberstam unavoidably reduce Gothic excess and uncanniness to a realist understanding and, thereby, ironically de-materialize Gothic monstrosity by substituting for it a realistic meaning. This essay, instead, advocates a psychoanalytic critical reception that demonstrates how the essential uncanniness of the Gothic novel makes all realistic interpretation falter. Rather than interpreting Frankensteins creature as a condensed figure for proletarian formation or Dracula as an allegory for xenophobia, for instance, this article insists that the Gothic uncanny should be understood as figuring that which can only be viewed figuratively, as figuring that which has no space within a realistic understanding.
An Interview with Caroline Abu Sa’Da, General Director of SOS MEDITERRANEE
-and-rescue missions. But it is citizen movements that have been at the
forefront of the emergency response. Similarly inspired by cosmopolitan ideals, these groups tend
to use more political language than conventional NGOs, presenting their relief activities as a
form of direct resistance to nationalist politics and xenophobia. As liberal humanitarianism is
challenged in its European heartland, they are developing – through practice – a
new model of humanitarian engagement.
SOS MEDITERRANEE is an ad hoc citizen initiative founded in 2015 to prevent the death of
harbingers of disease recalls not only the coffin ships
of the Irish famine but the xenophobia and restrictive border controls that the arrival
of the ‘unwashed masses’ ostensibly justified. The sudden appearance of
cholera in post-earthquake Haiti might have its origins in the sanitary negligence of
United Nations peacekeepers, but the subsequent abdication of responsibility was
entirely political ( Katz, 2016 ). While the
murder of polio vaccinators in Pakistan is cloaked in anti-Western conspiracy
response is purely a matter of ethics, not of ideology. Doing so has been a mistake. No one who
spends time discussing the migration crisis with European aid workers could leave such an
encounter in any doubt about where they stand on the EU: they accept more or less everyone who
wants to come, though some do so arguing that there is no migration crisis but rather a
xenophobia crisis. Since nobody can predict with any confidence what the numbers of migrants are
likely to be, this seems like an argument that plays into the hands of the xenophobes, and as
Lewis Hine’s Photographs of Refugees for the American Red Cross, 1918–20
Sonya de Laat
time when scientific methods and evidence were reshaping the epistemology of social welfare and charity work. In the decade before the war, Hine had worked with the National Child Labor Committee (NCLC) and for the popular sociological magazine The Survey . His photography was influential in the campaign against child labor and in support of social reform supporting immigration, labor, and housing. Hine had become known for his skill in creating ‘photographs of revelation’ that drew attention to politically contentious issues such as labor reforms and xenophobia
claiming that an entire town in Texas was being quarantined after a family tested positive for
the virus. The story was shared more than 300,000 times ( Dzieza, 2014 ) and may have contributed to the wider landscape of panic and xenophobia
surrounding the epidemic.
Online disinformation has also exacerbated conflict. In South Sudan, the UN reports that
social media ‘has been used by partisans on all sides, including some senior government
officials, to exaggerate incidents, spread falsehoods and veiled threats, or post outright
The book explores how we understand global conflicts as they relate to the ‘European refugee crisis’, and draws on a range of empirical fieldwork carried out in the UK and Italy. It examines how global conflict has been constructed in both countries through media representations – in a climate of changing media habits, widespread mistrust, and fake news. In so doing, it examines the role played by historical amnesia about legacies of imperialism – and how this leads to a disavowal of responsibility for the reasons people flee their countries. The book explores how this understanding in turn shapes institutional and popular responses in receiving countries, ranging from hostility – such as the framing of refugees by politicians, as 'economic migrants' who are abusing the asylum system – to solidarity initiatives. Based on interviews and workshops with refugees in both countries, the book develops the concept of ‘migrantification’ – in which people are made into migrants by the state, the media and members of society. In challenging the conventional expectation for immigrants to tell stories about their migration journey, the book explores experiences of discrimination as well as acts of resistance. It argues that listening to those on the sharpest end of the immigration system can provide much-needed perspective on global conflicts and inequalities, which challenges common Eurocentric misconceptions. Interludes, interspersed between chapters, explore these issues in other ways through songs, jokes and images.
In July 2013, the UK government arranged for a van to drive through parts of
London carrying the message ‘In the UK illegally? GO HOME or face arrest.’ The
vans were short-lived, but they were part of an ongoing trend in
government-sponsored communication designed to demonstrate control and toughness
around immigration. This book explores the effects of such performances of
toughness: on policy, on public debate, on pro-migrant and anti-racist activism,
and on the everyday lives of people in Britain. This book both presents research
findings, and provides insights into the practice of conducting research on such
a charged and sensitive topic. Blending original research, theoretical
analysis, and methodological reflections, the book addresses questions such
Who gets to decide who ‘belongs’?
How do anti-migrant
sentiments relate to changing forms of racism?
Are new divisions, and
new solidarities, emerging in the light of current immigration
Written in a clear and engaging style, the book sets an
agenda for a model of collaborative research between researchers, activists, and
people on the ground.
supporters’ reaction to
this particular change and to the changes affecting the other means
through which they identify with the club provides an answer.
Xenophobia in the English press
The traditional English identity of Arsenal, and its contrast with
the massive presence of foreign players in more recent times have
provided the main themes for the study of the English printed
media. Yet, foreign players are present throughout the whole league
so although the focus of this study is on Arsenal, the feelings of
acceptance or rejection of foreign football players had to be