3 Spatial and architectural memory in oral histories of working life Introduction What happens if we invert the cliche ‘if walls could talk?’ and explore what former factory workers might say about those walls? At first this may sound absurd, but in a broad sense this chapter demonstrates this very approach, for it is here that we turn our attention to the richness of content contained within workers’ memories of the buildings in which they worked. While the disciplines of oral history, design history and architectural history are all beginning to engage with
Jesse Adams Stein
Swimming ... Floating ... Sinking ... Drowning
The body in the swimming pool as metonym for trouble in paradise is a recurrent motif bordering on cliché in Hollywood/West Coast sunshine noir. Through an intermedial survey of film, TV and literary fiction, photography, design and architectural history, crime and environmental, reportage, public health and safety documents this article examines the domestic swimming pools ambiguous status as a symbol of realised utopia within the Californian mythos from the boom years of the backyard oasis in the wake of the Second World War to the era of mass foreclosures, restricted water usage and ambient dread inaugurated by 9/11, the global recession and the severest drought in the states recorded rainfall history.
Governing Precarity through Adaptive Design
Humanitarians: How BIG DATA is Changing the Face of Humanitarian Response ( Boca Raton, FL, London and New York : CRC Press ). Mishra , P. ( 2017 ), Age of Anger: A History of the Present ( London : Penguin Books ). Munck , R. ( 2013 ), ‘ The Precariat: A View from the South ’, Third World Quarterly , 34 : 5 , 747 – 62 . Negroponte , N. ( 2003 ), ‘ From “Soft Architecture Machines” ’, in Wardrip-Fruin , N. and Montfort , N. (eds
A Focus on Community Engagement
Frédéric Le Marcis, Luisa Enria, Sharon Abramowitz, Almudena-Mari Saez and Sylvain Landry B. Faye
Introduction During the 2014 West African Ebola epidemic, an estimated US$ 10 billion was spent to contain the disease in the region and globally. The response brought together multilateral agencies, bilateral partnerships, private enterprises and foundations, local governments and communities. Social mobilisation efforts were pivotal components of the response architecture ( Gillespie et al. , 2016 ; Laverack and Manoncourt, 2015 ; Oxfam International, 2015 ). They relied on grassroots community actors, classic figures of humanitarian work or
Uses and Misuses of International Humanitarian Law and Humanitarian Principles
1871), he barely mentioned it in his writings – the man who had been shocked by the carnage in Solferino. Selective indignation has a long history! The final third of the nineteenth century, with its progress in transport and communications, was also a time of accelerating colonial conquest, ‘transformed ipso facto into just wars in the name of natural law, trade, movement, and property’, in the words of historian Enzo Traverso ( Traverso, 2004 ). While humanitarianism by definition refers to a single human species, the concept of the existential equality of all
An Interview with Celso Amorim, Former Brazilian Foreign Minister
first time in modern history, the major global power – I am of course referring to the US – doesn’t have a project for the world. It is evident that the US has always defended its own interests, but it always imagined or at least presented its interests – I’m not casting a value judgement here – as linked to a project for the world. Following the Second World War, it was the Americans who assumed primary responsibility for the creation of the international system, starting with Roosevelt. Some international institutions were accessible to all
Managing madness in early nineteenth-century asylums
An archaeology of lunacy examines the historic lunatic asylum from an interdisciplinary perspective, employing methods drawn from archaeology, social geography, and history to create a holistic view of the built heritage of the asylum as a distinctive building type. In the popular imagination, historic lunatic asylums were dark, monolithic, and homogenous, instruments for social confinement and punishment. This book aims to redress this historical reputation, showing how the built environment and material worlds of lunatic asylums were distinctive and idiosyncratic – and highly regional. They were also progressive spaces and proving grounds of architectural experimentation, where the reformed treatment practices known as moral management were trialled and refined. The standing remains of the nineteenth-century lunatic asylum system represent a unique opportunity to study a building-type in active transition, both materially and ideologically. When they were constructed, asylums were a composite of reform ideals, architectural materials, and innovative design approaches. An archaeological study of these institutions can offer a materially focused examination of how the buildings worked on a daily basis. This study combines critical analysis of the architecture, material remains, and historical documentary sources for lunatic asylums in England and Ireland. Students and scholars of later historical archaeology and built heritage will find the book a useful overview of this institutional site type, while historians of medicine will find the focus on interior design and architecture of use. The general public, for whom asylums frequently represent shadowy ruins or anonymous redevelopments, may be interested in learning more about the buildings.
Art, literature and antiquarianism in Europe, c. 1400–1700
Edited by: Kathleen Christian and Bianca de Divitiis
This book brings together essays on the burgeoning array of local antiquarian practices that developed across Europe in the early modern era (c. 1400–1700). Adopting an interdisciplinary and comparative method it investigates how individuals, communities and regions invented their own ancient pasts according to the concerns they faced in the present. A wide range of ‘antiquities’ – real or fictive, Roman or pre-Roman, unintentionally confused or deliberately forged – emerged through archaeological investigations, new works of art and architecture, collections, history-writing and literature. This book is the first to explore the concept of local concepts of antiquity across Europe in a period that has been defined as a uniform ‘Renaissance’. Contributions take a new novel approach to the revival of the antique in different parts of Italy and also extend to other, less widely studied antiquarian traditions in France, the Netherlands, Spain, Portugal, Britain and Poland. They examine how ruins, inscriptions and literary works were used to provide evidence of a particular idea of local origins, rewrite history or vaunt civic pride. They consider municipal antiquities collections in southern Italy and southern France, the antiquarian response to the pagan, Christian and Islamic past on the Iberian peninsula, and Netherlandish interest in megalithic ruins thought to be traces of a prehistoric race of giants. This interdisciplinary book is of interest for students and scholars of early modern art history, architectural history, literary studies and history, as well as classics and the reception of antiquity.
The ascent of globalisation captures the sweeping drama of postwar globalisation through intimate portraits of twenty of its key architects. These profiles provide insights into what inspired these pioneers of globalisation — the beliefs they each imbibed in their youth, the formative experiences that shaped their ideas and their contributions to the global architecture. Engaging anecdotes and telling personal details, many of which have never been told, enliven each of the stories, as well as the behind-the-scenes dramas that accompanied the creation of institutions such as the World Bank, IMF, UN and World Trade Organization and the informal governance structures that are part of the postwar global architecture.
Their legacies are critically examined, both their successes and their disappointments: a global financial system that is fragile and unstable; an international trading system that is unfair; the unintended consequences of largely unregulated transnational capital; and dysfunction that plagues institutions like the European Union and the United Nations. The book ends by examining what implications the flawed architecture may have for the future of globalisation.
Edited by: Dana Arnold
The need for a single public culture - the creation of an authentic identity - is fundamental to our understanding of nationalism and nationhood. This book considers how manufactured cultural identities are expressed. It explores how notions of Britishness were constructed and promoted through architecture, landscape, painting, sculpture and literature, and the ways in which the aesthetics of national identities promoted the idea of nation. The idea encompassed the doctrine of popular freedom and liberty from external constraint. Particular attention is paid to the political and social contexts of national identities within the British Isles; the export, adoption and creation of new identities; and the role of gender in the forging of those identities. The book examines the politics of land-ownership as played out within the arena of the oppositional forces of the Irish Catholics and the Anglo-Irish Protestant ascendancy. It reviews the construction of a modern British imperial identity as seen in the 1903 durbar exhibition of Indian art. The area where national projection was particularly directed was in the architecture and the displays of the national pavilions designed for international exhibitions. Discussions include the impact of Robert Bowyer's project on the evolution of history painting through his re-representation of English history; the country houses with architectural styles ranging from Gothic to Greek Revivalist; and the place of Arthurian myth in British culture. The book is an important addition to the field of postcolonial studies as it looks at how British identity creation affected those living in England.