4 Middle-class medicine It is well known that Englishmen are in the main opposed to any and every new system with which they are not familiar. Probably to this influence is due the fact, that, with a few exceptions, pay wards are as unknown in this country as the pay hospitals themselves. 1 Sir Henry Burdett
George Campbell Gosling
Political apathy and the poetry of Derek Mahon
2 ‘Middle-class shits’: political apathy and the poetry of Derek Mahon ‘Wonders are many and none is more wonderful than man’ Who has tamed the terrier, trimmed the hedge And grasped the principle of the watering can. Clothes pegs litter the window ledge And the long ships lie in clover; washing lines Shake out white linen over the chalk thanes. Now we are safe from monsters, and the giants Who tore up sods twelve miles by six And hurled them out to sea to become islands Can worry us no more. The sticks And stones that once broke bones will not now harm A
Kate Bowan and Paul A. Pickering
socialism. This chapter will examine the role of music in the reform culture of middle-class liberals such as Haweis and John Pyke Hullah. 5 Common to the two organisations examined here in detail, London’s South Place Chapel and Melbourne’s Australian Church, was both an eschewal of orthodoxy, dogma and creed replaced by openness and inclusiveness in outlook, and a vibrant musical culture. Thus we look at
Rachelle Hope Saltzman
intermediary practice known as ‘good works’ – a peculiarly privileged genre that combined features of both work and play. There was some flexibility, but in most cases social status, age, sex, geographical location (e.g. north v. south, London v. the rest of Great Britain), and occupation limited the degree to which people could ‘fiddle’ with these social categories and the relationships that they implied. For the most part, categories matched up as follows: young upper-class men (play) are opposed to older middle-class men (work) and mediated by married, uppermiddle-class
spate of discoveries of counterfeit or adulterated milk and milk products. 3 Solely in terms of the importance that has been historically attached to it, therefore, the subject deserves to be examined in its own right. More importantly, it presents us with an opportunity to examine middle-class notions of health, hygiene, food and, through it, the closely related questions of
In Ann Radcliffes The Mysteries of Udolpho and The Italian, the sublime in nature represents a benevolent patriarchy which works in tandem with ‘the heightened awareness’ that characterizes sensibility in order to educate and empower Emily St Aubert and Ellena di Rosalba. Both of these forces work symbiotically within the gazes (read ‘spectatorship’) of the heroines. Conversely, these forces are threatening to the heroes, in that they limit Valancourts and Vivaldis ability to gain their desires and to influence the events surrounding their beloveds. This gender-based disparity reflects eighteenth century familial politics and suggests that, despite Radcliffes apparent protofeminism in giving her heroines agency over the patriarchal weapons of the sublime and sensibility, her reinventing these forces to empower her heroines at the expense of the heroes actually buys into and supports patriarchal ideals of the roles of difference and sameness in heterosexual desire.
Middle-class men on the English Home Front, 1914–18
Historians of the First World War often seem to have a very clear idea of who middle-class men were and how they reacted to the outbreak of the conflict. This book explores the experiences of middle-class men on the English home front during the First World War. It first focuses on the first twelve months or so of war, a period when many middle-class men assumed that the war could hardly fail to affect them. The book then delves deeper into middle-class men's understandings of civilians' appropriate behaviour in wartime. It explores middle-class men's reasons for not conforming to dominant norms of manly conduct by enlisting, and considers individuals' experiences of 'non-enlistment'. It also focuses on middle-class men's involvement in volunteer activities on the home front. The book also focuses on middle-class men's working lives, paying particular attention to those aspects of work that were most affected by the war. It considers civilian men's responses to the new ambivalence towards profit-making, as well as to the doubts cast on the 'value' of much middle-class, whitecollar work in wartime. The book further assesses the ways in which middle-class men negotiated their roles as wartime consumers and explores the impact of war on middle-class relationships. It considers the nature of wartime links between civilians and servicemen, as well as the role of the paterfamilias within the middle-class family, before turning to focus on the relationship between civilian fathers and combatant sons.
George Campbell Gosling
This book examines the payment systems operating in British hospitals before the National Health Service (NHS). An overview of the British situation is given, locating the hospitals within both the domestic social and political context, before taking a wider international view. The book sets up the city of Bristol as a case study to explore the operation and meaning of hospital payments on the ground. The foundation of Bristol's historic wealth, and consequent philanthropic dynamism, was trade. The historic prominence of philanthropic associations in Bristol was acknowledged in a Ministry of Health report on the city in the 1930s. The distinctions in payment served to reinforce the differential class relations at the core of philanthropy. The act of payment heightens and diminishes the significance of 1948 as a watershed in the history of British healthcare. The book places the hospitals firmly within the local networks of care, charity and public services, shaped by the economics and politics of a wealthy southern city. It reflects the distinction drawn between and separation of working-class and middle-class patients as a defining characteristic of the system that emerged over the early twentieth century. The rhetorical and political strategies adopted by advocates of private provision were based on the premise that middle-class patients needed to be brought in to a revised notion of the sick poor. The book examines why the voluntary sector and wider mixed economies of healthcare, welfare and public services should be so well developed in Bristol.
Through an analysis of Dracula, this article will explore some of the hyperbolic rhetoric surrounding drug use and womens place in medical discourse that has, like the Count himself, risen again and again in our culture. It argues that Dracula attempts – through popular metaphors of addiction, shifting terminologies about drug use, and British anxieties about immigration – to make a clear but highly unstable distinction between licit and illicit drug use. In the process, Stoker‘s novel illuminates a complex relationship between middle-class women and the opiates that paradoxically serve as a site of patriarchal oppression and resistance to it.
Throughout the nineteenth century, the term ‘uncomfortable houses’ was used to describe properties where restless spirits made life unpleasant for any living persons who tried to claim these supernatural residences as their own. This article uses the idea of ‘uncomfortable houses’ to examine how this ghostly discomfort related to larger cultural issues of economics and class in Victorian Britain. Authors such as Charlotte Riddell and Margaret Oliphant used the haunted house story as a means of social critique which commented on the financial problems facing many lower- and middle-class Victorians. Their stories focus on the moral development of the protagonists and reconciliation through the figure of the ghost, ultimately giving readers the happy endings that many male-authored ghost stories lack. Riddell‘s ‘The Old House in Vauxhall Walk’ and ‘Walnut-Tree House’ and Oliphant‘s ‘The Open Door’ serve as important examples of this ‘suburban Gothic’ literature.