by the neoliberalism of the conservative counter-revolution, this social protection has largely
evaporated. Insurance- and company-based social protection has historically been limited or absent in the
global South. Late-modern precarity begins here first ( Munck, 2013 ). Encouraged by the imposition of structural adjustment, the South’s
informal economies began to rapidly expand from the end the 1970s, absorbing the surplus
population thrown off as public-sector employment and services contracted ( Cornia, 1987 ). Moving to catch up, so to
Frédéric Le Marcis, Luisa Enria, Sharon Abramowitz, Almudena-Mari Saez and Sylvain Landry B. Faye
Introduction During the 2014 West African Ebola epidemic, an estimated US$ 10 billion was spent to contain the disease in the region and globally. The response brought together multilateral agencies, bilateral partnerships, private enterprises and foundations, local governments and communities. Social mobilisation efforts were pivotal components of the response architecture ( Gillespie et al. , 2016 ; Laverack and Manoncourt, 2015 ; Oxfam International, 2015 ). They relied on grassroots community actors, classic figures of humanitarian work or development
An Interview with Celso Amorim, Former Brazilian Foreign Minister
former president should be allowed to run in the
forthcoming election. ‘We have conditions to do great things,’ he said to me when
we met, ‘but of course we need a legitimate government.’ It is far from clear that
the election, only weeks away, can deliver this. Juliano Fiori: You first served as Brazilian foreign minister in the early 1990s.
Between then and now, what has been the principal change in the conduct of international
relations? Celso Amorim: For me, the most important change to note is that, for the first
time in modern history, the
Uses and Misuses of International Humanitarian Law and Humanitarian Principles
(population density, time of day, type of buildings, etc.) – the collateral damage from bombing urban areas. The objective is to avoid causing more than twenty-nine civilian deaths, because, according to its advisors, thirty is the threshold at which negative reports begin to appear in the press ( Weizmann, 2010 ). Another example is modern flamethrowers, which were first used by Germany in 1915 and became widespread thereafter; in the 1970s, they came to symbolise the brutality of the Vietnam War. The famous photograph of the burned little girl fleeing a napalm attack
This book brings together essays on the burgeoning array of local antiquarian
practices that developed across Europe in the early modern era (c. 1400–1700).
Adopting an interdisciplinary and comparative method it investigates how
individuals, communities and regions invented their own ancient pasts according
to the concerns they faced in the present. A wide range of ‘antiquities’ – real
or fictive, Roman or pre-Roman, unintentionally confused or deliberately forged
– emerged through archaeological investigations, new works of art and
architecture, collections, history-writing and literature. This book is the
first to explore the concept of local concepts of antiquity across Europe in a
period that has been defined as a uniform ‘Renaissance’. Contributions take a
new novel approach to the revival of the antique in different parts of Italy and
also extend to other, less widely studied antiquarian traditions in France, the
Netherlands, Spain, Portugal, Britain and Poland. They examine how ruins,
inscriptions and literary works were used to provide evidence of a particular
idea of local origins, rewrite history or vaunt civic pride. They consider
municipal antiquities collections in southern Italy and southern France, the
antiquarian response to the pagan, Christian and Islamic past on the Iberian
peninsula, and Netherlandish interest in megalithic ruins thought to be traces
of a prehistoric race of giants. This interdisciplinary book is of interest for
students and scholars of early modern art history, architectural history,
literary studies and history, as well as classics and the reception of
Architectures of survival investigates the relationship between air war and urbanism in modern Britain and asks how the development of airpower and the targeting of cities influenced perceptions of urban spaces and visions of urban futures. The book brings together a diverse range of source materials to highlight the connections between practices of warfare and urbanism in the twentieth century. It covers the interwar period, the Second World War and the early Cold War to demonstrate how airpower created a permanent threat to cities. It considers how architects, town planners and government officials reframed bombing as an ongoing urban problem, rather than one contingent to a particular conflict, and details how the constant threat of air raids prompted planning for defence and planning for development to become increasingly entangled. The book highlights the relevance of war and the anticipation of war in modern urban history and argues that the designation of cities as targets has had long-lasting consequences. It addresses militarisation in modern Britain by investigating how air war became incorporated into civilian debates about the future of cities and infrastructure, and vulnerability to air raids was projected onto the mundane material culture of everyday urban life.
What happens when Chaucer turns up where we don’t expect him to be? Transporting Chaucer draws on the work of the British sculptor Antony Gormley alongside more traditional literary scholarship to show that Chaucer’s play with textual history and chronological time prefigures how his poetry becomes incorporate with later (and earlier) texts. The shuttling of bodies, names, and sounds in and amongst works that Chaucer did write anticipates Chaucerian presences in later (and earlier) works that he did not. Chaucer’s characters, including ‘himself’ refuse to stay put in one place and time. This book bypasses the chronological borders of literary succession to read The Canterbury Tales and Chaucer’s Dream Vision poetry in present company with Chaucerian ‘apocrypha’, and works by Shakespeare, Davenant and Dryden. Conventional models of source and analogue study are re-energised to reveal unexpected (and sometimes unsettling) literary cohabitations and re-placements. Transporting Chaucer presents innovative readings of relationships between medieval texts and early modern drama, and between literary texts and material culture. Associations between medieval architecture, pilgrim practice, manuscript illustration, and the soundscapes of dramatic performance reposition how we read Chaucer’s oeuvre and what gets made of it. Written for scholars and students (undergraduate and graduate) who work in medieval English literary studies and early modern drama, Transporting Chaucer offers a new approach to how we encounter texts through time.
An archaeology of lunacy examines the historic lunatic asylum from an interdisciplinary perspective, employing methods drawn from archaeology, social geography, and history to create a holistic view of the built heritage of the asylum as a distinctive building type. In the popular imagination, historic lunatic asylums were dark, monolithic, and homogenous, instruments for social confinement and punishment. This book aims to redress this historical reputation, showing how the built environment and material worlds of lunatic asylums were distinctive and idiosyncratic – and highly regional. They were also progressive spaces and proving grounds of architectural experimentation, where the reformed treatment practices known as moral management were trialled and refined. The standing remains of the nineteenth-century lunatic asylum system represent a unique opportunity to study a building-type in active transition, both materially and ideologically. When they were constructed, asylums were a composite of reform ideals, architectural materials, and innovative design approaches. An archaeological study of these institutions can offer a materially focused examination of how the buildings worked on a daily basis. This study combines critical analysis of the architecture, material remains, and historical documentary sources for lunatic asylums in England and Ireland. Students and scholars of later historical archaeology and built heritage will find the book a useful overview of this institutional site type, while historians of medicine will find the focus on interior design and architecture of use. The general public, for whom asylums frequently represent shadowy ruins or anonymous redevelopments, may be interested in learning more about the buildings.
This book brings together studies of cultural institutions in Manchester from 1850 to the present day, giving an unprecedented account of the city’s cultural evolution. These bring to light the remarkable range of Manchester’s contribution to modern cultural life, including the role of art education, popular theatre, religion, pleasure gardens, clubs and societies. The chapters show the resilience and creativity of Manchester’s cultural institutions since 1850, challenging any simple narrative of urban decline following the erosion of Lancashire’s industrial base, at the same time illustrating the range of activities across the social classes. The essays are organized chronologically. They consider the role of calico printers in the rise of art education in Britain; the origins and early years of the Belle Vue Zoological Gardens; the formation of the Manchester Dante Society in 1906; the importance of theatre architecture in the social life of the city; the place of religion in early twentieth-century Manchester, in the case of its Methodist Mission; the cosmopolitan nature of the Manchester International Club, founded in 1937; cultural participation in contemporary Manchester; and questions of culture and class in the case of a contemporary theatre group.
The need for a single public culture - the creation of an authentic identity - is fundamental to our understanding of nationalism and nationhood. This book considers how manufactured cultural identities are expressed. It explores how notions of Britishness were constructed and promoted through architecture, landscape, painting, sculpture and literature, and the ways in which the aesthetics of national identities promoted the idea of nation. The idea encompassed the doctrine of popular freedom and liberty from external constraint. Particular attention is paid to the political and social contexts of national identities within the British Isles; the export, adoption and creation of new identities; and the role of gender in the forging of those identities. The book examines the politics of land-ownership as played out within the arena of the oppositional forces of the Irish Catholics and the Anglo-Irish Protestant ascendancy. It reviews the construction of a modern British imperial identity as seen in the 1903 durbar exhibition of Indian art. The area where national projection was particularly directed was in the architecture and the displays of the national pavilions designed for international exhibitions. Discussions include the impact of Robert Bowyer's project on the evolution of history painting through his re-representation of English history; the country houses with architectural styles ranging from Gothic to Greek Revivalist; and the place of Arthurian myth in British culture. The book is an important addition to the field of postcolonial studies as it looks at how British identity creation affected those living in England.