Open Access (free)
James Baldwin and Malcolm X

Taking its cue from recent scholarly work on the concept of time in African American literature, this essay argues that, while both James Baldwin and Malcolm X refuse gradualism and insist on “the now” as the moment of civil rights’ fulfillment, Baldwin also remains troubled by the narrowness assumed by a life, politics, or ethics limited to the present moment. In his engagement with Malcolm’s life and legacy—most notably in One Day, When I Was Lost, his screen adaptation of Malcolm’s autobiography—he works toward a temporal mode that would be both punctual and expansive. What he proposes as the operative time of chronoethics is an “untimely now”: he seeks to replace Malcolm’s unyielding punctuality with a different nowness, one that rejects both calls for “patience,” endemic to any politics that rests on the Enlightenment notion of “perfectibility,” and the breathless urgency that prevents the subject from seeing anything beyond the oppressive system he wants overthrown. Both thinkers find the promise of such untimeliness in their sojourns beyond the United States.

James Baldwin Review
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Europeans, Muslim Immigrants and the onus of European–Jewish Histories

Relations between Europe and its Muslim minorities constitute an extensive focus for discussion both within and beyond the Continent. This book reports on the years mainly between 2005 and 2015 and focuses on the exploitation of recent European history when describing relations and the prospects for the nominally 'Christian' majority and Muslim minority. The discourse often references the Jews of Europe as a guiding precedent. The manifold references to the annals of the Jews during the 1930s, the Second World War and the Holocaust, used by both the Muslim minorities and the European 'white' (sic) majority presents an astonishing and instructive perspective. When researching Europe and its Muslim minorities, one is astonished by the alleged discrimination that the topic produces, in particular the expressions embodied in Islamophobia, Europhobia and anti-Semitism. The book focuses on the exemplary European realities surrounding the 'triangular' interactions and relations between the Europeans, Muslims and Jews. Pork soup, also known as 'identity soup', has been used as a protest in France and Belgium against multicultural life in Europe and against the Muslim migrants who allegedly enjoyed government benefits. If the majority on all sides of the triangle were to unite and marginalize the extreme points of the triangle, not by force but by goodwill, reason and patience, then in time the triangle would slowly but surely resolve itself into a circle. The Jews, Christians, Muslims and non-believers of Europe have before them a challenge.

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controversial content, particularly in respect of their representations of history and historical figures, with less attention paid to Atten­borough’s style. Attenborough has employed his many skills of negotiation, ­persistence and patience to achieve many of his objectives. His long quest to realise Gandhi and the Oscar success he enjoyed has made Attenborough internationally renowned, and provided the pivotal point of his career. Yet, Gandhi’s Oscar success appears to have lessened his standing in scholarly terms, leading, at least partially, to his subsequent academic

in Richard Attenborough
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happens when there is harmony, or where things break down through disagreements. The problem of raising a budget comes up in all the films, and is discussed most thoroughly in Chapter 6 ‘The Brink of Peace’ and Chapter 7 ‘The First Fagin’. Chapter 3 ‘Stalin’s Last Purge’ addresses the difficulties of working internationally, as does ‘Adolf Eichmann: The Secret Memoirs’, while ‘Brink of Peace’ shows how infinite patience and stubbornness can be required when working with a broadcast station. 3 Mark Harris, Pictures at a Revolution: Five Movies and the Birth of the New

in The documentary diaries

Bourne in his study of the country during the conflict wrote, in contrast to D. H. Lawrence, who lived through the war, that ‘The British people were not “militarized”. Wartime excesses of chauvinism, anger and hate became regarded with incredulous embarrassment and were then forgotten. Patience, tolerance and generosity returned.’15 I have italicized the key word here. The forgetting of ‘wartime excesses’ also meant sweeping the victims of these excesses under the carpet, especially the German community in Britain. The prisoners remembered by British society were

in Prisoners of Britain
Milton and the Restoration

alternative paths for ‘the spirits of just men long opprest’. It is possible that they will find a ‘deliverer’, armed by God with ‘Heroic magnitude of mind’ to overthrow ‘Tyrannic power’ in ‘the mighty of the Earth’. ‘More oft’, however, in accordance with the will of God, they are assigned the lot of suffering, patience, endurance 252 253 Milton and the Restoration under hardship as ‘the trial of thir fortitude’.50 As Milton puts it, in the voice of ‘patience’, in the sonnet on his blindness, ‘who best /​Bear his milde yoak, they serve him best … /​They also serve who

in From Republic to Restoration

underline the point that decisions in international money and finance have generally been accorded too limited a place in our understanding, it may be useful to attempt a sort of plain person’s guide to the full range of contending interpretations of the events of recent years. This is the more necessary because many people deeply concerned with our predicament have neither the time nor the patience to go through them all at length, and also because people tend to read the literature of their own profession or field of interest and that of their own political persuasion

in Casino Capitalism
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Ecocritical readings of late medieval English literature

Humankind has always been fascinated by the world in which it finds itself, and puzzled by its relations to it. Today that fascination is often expressed in what is now called ‘green’ terms, reflecting concerns about the non-human natural world, puzzlement about how we relate to it, and anxiety about what we, as humans, are doing to it. So-called green or eco-criticism acknowledges this concern. This book reaches back and offers new readings of English texts, both known and unfamiliar, informed by eco-criticism. After considering general issues pertaining to green criticism, it moves on to a series of individual chapters arranged by theme (earth, trees, wilds, sea, gardens and fields) that provide individual close readings of selections from such familiar texts as Malory's Morte D'Arthur, Chaucer's Knight's and Franklin's Tales, Sir Gawain and the Green Knight and Langland's Piers Plowman. These discussions are contextualized by considering them alongside hitherto marginalized texts such as lyrics, Patience and the romance Sir Orfeo. The result is a study that reinvigorates our customary reading of late Middle English literary texts while also allowing us to reflect upon the vibrant new school of eco-criticism itself.

Working experiences of a non-fiction filmmaker

This book shows what happens from the birth of the idea until a film is completed. This means covering all the hurdles, and the bumps, and other obstacles along the way, including inspiration, proposal writing, finance and marketing. The book shows how the author developed, produced, and worked on seven films. Four are major documentaries, the fifth a feature-length docudrama, and two are works in progress. All have and had multiple problems. None of the completed films were easy to make. The book discusses the pros and cons of working with partners, and shows what happens when there is harmony, or where things break down through disagreements. The problem of raising a budget comes up in all the films, and is discussed most thoroughly in the book. The book also addresses the difficulties of working internationally, and shows how infinite patience and stubbornness can be required when working with a broadcast station. At the end of several of the chapters the author has also added a short section called 'Production notes.' These notes usually amplify and explain further some central problem raised in the chapter. One of the chapters in the book deals with the specifics of making one particular family film. The notes which follow, however, tell people about making family film in general.

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A Tongan ‘akau in New England

This chapter examines the place of Oceanic clubs in New England collections. During the nineteenth century, they occupied an equivocal position in the New England mental repertory as indices of savage sophistication, and as souvenirs of colonial childhood or travel. Focusing on a Tongan ‘akau tau in the collection of the Chatham Historical Society on Cape Cod, Massachusetts, this chapter traces what can be known of its history as a highly regarded prestige gift item among New Englanders from the middle of the nineteenth century until its entry into the museum. As a thing that an early owner could alienate legitimately, its presence in Chatham is not unethical, yet it none the less imposes stewardship responsibilities – consultation with the originating community – that such a small institution is poorly placed to meet. This requires understanding and patience rather than disapprobation.

in Curatopia