Total war tends to create a situation that falls back on established social and cultural discourses and institutional arrangements at the same time that it provides the opportunity for a shifting and renegotiation of these arrangements. This book explores how the First Aid Nursing Yeomanry (FANY) drew upon, and/or subverted cultural mythologies to make sense of their wartime service. It focuses on this renegotiation of gender and examines seven key themes implicit in this process. The first theme concerns the ways women's military organizations utilized traditional notions of genteel femininity and its accompanying nurturance, cheerfulness and devotion in their promise of service, yet went beyond the parameters of such cultural mythologies. The second focuses on the gendering of military heroism. The third theme addresses the context of female military service in terms of the preparation women received, the opportunities they were given and the risks they took, and focuses on their coping behaviours. Theme four focuses specifically on women's transgression into the masculine terrain of driving and mechanics and shares the ways they developed skills and competencies previously off-limits for women. Such transgressions almost invariably led to women having to negotiate masculine authority and develop skills in autonomy, independence and assertiveness - the focus of theme five. The last two themes discussed in the book address the integration and consolidation of women's organizations as the war progressed and their service became indispensable.
This volume takes the metaphorical character of the Cold War seriously and charts how the bomb was used as a symbol for nuclear war at the very heart of this conflict. The contributions consider the historical relevance of the political, cultural and artistic ramifications of nuclear weapons as signifiers for a new type of conflict. Tis understanding of the metaphorical qualities of the Cold War is encapsulated in the notion of an imaginary war, or, more precisely, a war against the imagination. As an attack against the imagination, the nuclear threat forced politicians and ordinary people to accept the notion that preparations for nuclear annihilation would contribute towards peace, and that the existence of these weapons, and the anticipation of large-scale destruction that came with them, were an inescapable corollary of security, freedom and future prosperity on both sides of the Cold war divide.
The Great War still haunts us. This book draws together examples of the ‘aesthetic pacifism’ practised during the Great War by such celebrated individuals as Virginia Woolf, Siegfried Sassoon and Bertrand Russell. It also tells the stories of those less well known who shared the attitudes of the Bloomsbury Group when it came to facing the first ‘total war’. The five-year research for this study gathered evidence from all the major archives in Great Britain and abroad in order to paint a complete picture of this unique form of anti-war expression. The narrative begins with the Great War's effect on philosopher-pacifist Bertrand Russell and Cambridge University.
This book undertakes a consideration of the depiction of naval warfare within British and American cinema. The films (ranging from examples from the interwar period, the Second World War, the Cold War and contemporary cinema) encompass all areas of naval operations in war, and highlight varying institutional and aesthetic responses to navies and the sea in popular culture. Examination of the films centres on their similarities to and differences from the conventions of the war genre as described in earlier analyses, and seeks to determine whether the distinctive characteristics of naval film narratives justify their categorisation as a separate genre or sub-genre in popular cinema. The explicit factual bases and drama-documentary style of many key naval films (such as In Which We Serve, They Were Expendable and Das Boot) also require a consideration of them as texts for popular historical transmission. Their frequent reinforcement of establishment views of the past, which derives from their conservative ideological position towards national and naval culture, makes these films key texts for the consideration of national cinemas as purveyors of contemporary history as popularly conceived by filmmakers and received by audiences.
During the Second World War, some 250,000 British servicemen were taken captive either by the Axis powers or the Japanese, as a result of which their wives and families became completely dependent on the military and civil authorities for news of their loved ones and for financial and material support. This book outlines the nature of their plight, and shows how they attempted to overcome the particular difficulties they faced during and in the immediate aftermath of hostilities. It opens up a whole new area of analysis and examines the experiences of the millions of service dependents created by total war. Taking as its starting point the provisions made by pre-Second World War British governments to meet the needs of its service dependents, the book then goes on to focus on the most disadvantaged elements of this group – the wives, children and dependents of men taken prisoner – and the changes brought about by the exigencies of total war. Further chapters reflect on how these families organised to lobby government and the strategies they adopted to circumvent apparent bureaucratic ineptitude and misinformation. The book contributes to our understanding of the ways in which welfare provision was developed during the Second World War.
'Terror' is a diffuse notion that takes no account of local particularities and 'war on terror' is a contradiction in terms. This book is based on the lectures that were given on the subject in Oxford in 2006. Amnesty has described 'war on terror' as a war on human rights. It is also a contest of narratives: stories that the protagonists tell about themselves, about their enemies, and about what is happening now. The book considers how the recent actions of the United States have stressed and stretched two areas of international law: the right of self-defence, and the rules of international humanitarian law. State terrorism, with a bit of careful spin, can be reclassified as counter-terrorism, in other words as inherently good in the same way that terrorism is inherently bad. The book engages with the politico-conceptual difficulties of distinguishing between war and terrorism. The interface and tensions between the human rights tradition and the Islamic tradition, particularly Islamic law, is discussed. The intensification of Western repression against Islamic thinkers or activists has at times been coupled with policies that seemed designed to change the religious trajectory of society. The sexualization of torture is only one way in which the 'war on terror' has delineated who is (and who is not) human. Religion, human rights, and trauma narratives are three other mechanisms for rationalizing suffering. The book also discusses the subject of censuring reckless killing of innocent civilians by the issue of fatwas by Muslim teachers.
Though the just war tradition has an ancient pedigree, like any tradition of thought, it is subject to historical highs and lows. Drawing on examples from the history of warfare from the Crusades to the present day, this book explores the limits and possibilities of the moral regulation of war. It focuses on the tensions which exist between war and morality. The moral ambiguity and mixed record of that tradition is acknowledged and the dangers which an exaggerated view of the justice or moral worth of war poses are underlined. The adoption of a 'dispositional' view of ethical life, in which moral character and moral culture play a decisive part, widens and transforms the ethics of war. Realism resists the application of morality to war. Pacifism harms and benefits the just war tradition in about equal measure. In opposition to the amoral and wholly pragmatic approach of the 'pure' realist, the just war theorist insists on the moral determination of war where that is possible, and on the moral renunciation of war where it is not. Moral realism is what the just war tradition purports to be about. Legitimate authority has become entirely subordinated to the concept of state sovereignty. If moderate forms of consequentialism threaten the principle of noncombatant immunity, more extreme or purer forms clearly undermine it. The strategic and the ethical problems of counterterrorism are compounded by the emergence of a new and more extreme form of terrorism.
Coming just five years after the ravages of the Second World War, the Korean war was a deeply unsettling moment in post-war British history. This book is a study of Britain's diplomatic, military and security policy during the Korean War as seen from the perspective of the British Government. It explores the social and cultural impact of the Korean War (1950-53) on Britain. From allegations about American use of 'germ' warfare to anxiety over Communist use of 'brainwashing' and treachery at home, the Korean War precipitated a series of short-lived panics in 1950s Britain. The book charts the war's changing position in British popular imagination and asks how it became known as the 'Forgotten War'. The study presented argues that the British did have influence over American decision-making during the Korean War. Whereas the existing United Nations resolutions would permit 'swirling' across the 38th parallel operations of a politico-military nature would require further United Nations consideration. The British did not have a veto over American strategy in Korea - but under the Truman administration they came pretty close to one with respect to the widening of the war into China. The Attlee-Truman talks, in December 1950, secured for the British the watershed agreement of the right to be consulted on the use of the atomic bomb. The book also talks about General Douglas MacArthur, the 1951 Chinese capture of Seoul by communists, and the concept of a British 'Manchurian Candidate'-type figure indoctrinated by the Chinese in Korea.
Women of War is an examination of gender modernity using the world’s longest established women’s military organisation, the First Aid Nursing Yeomanry, as a case study. Formed in 1907 and still active today, the Corps was the first to adopt khaki uniform, prepare for war service, staff a regimental first aid post near the front line and drive officially for the British army in France. It was the only British unit whose members were sworn in as soldiers of the Belgian army, and it was the most decorated women’s corps of the First World War. Bringing both public and personal representations into dialogue through an analysis of newspaper articles, ephemera, memoirs, diaries, letters, interviews, photographs and poetry, this book sits at the crossroads of British, social, gender and women’s history, drawing upon the diverse fields of military history, animal studies, trans studies, dress history, sociology of the professions, nursing history and transport history. It reconstructs the organisation’s formation, its adoption of martial clothing, increased professionalisation, and wartime activities of first aid and driving, focusing specifically upon the significance of gender modernity. While the FANY embodied the New Woman, challenging the limits of convention and pushing back the boundaries of the behavour, dress and role considered appropriate for women, the book argues that the Corps was simultaneously deeply conservative, upholding imperial, unionist and antifeminist values. That it was a complex mix of progressive and conservative elements, both conformist and reformist, gets to the heart of the fascinating complexity surrounding the organisation.
This book examines British imperial attitudes towards China during their early
encounters from 1792 to 1840. It makes the first attempt to bring together the
political history of Sino-Western relations and cultural studies of British
representations of China, as a new way of understanding the origins of the Opium
War – a deeply consequential event which arguably reshaped relations between
China and the West for the next hundred years. The book focuses on the crucial
half-century before the war, a medium-term (moyenne durée) period which scholars
such as Kitson and Markley have recently compared in importance to that of the
American and French Revolutions. This study investigates a range of
Sino-British political moments of connection, from the Macartney embassy
(1792–94), through the Amherst embassy (1816–17) to the Napier incident (1834)
and the lead-up to the opium crisis (1839–40). It examines a wealth of primary
materials, some of which have not received sufficient attention before, focusing
on the perceptions formed by those who had first-hand experience of China or
possessed political influence in Britain. The book shows that through this
period Britain produced increasingly hostile feelings towards China, but at the
same time British opinion formers and decision-makers disagreed with each other
on fundamental matters such as whether to adopt a pacific or aggressive policy
towards the Qing and the disposition of the Chinese emperor. This study, in the
end, reveals how the idea of war against the Chinese empire was created on the
basis of these developing imperial attitudes.