Literature and Theatre
This article illustrates the multi-generational influence of Baldwin’s The Evidence of Things Not Seen on my path as a Black scholar and draws connections between representation, identity, kinship, and the interdependence of Black writers in the fight for social justice. Through tracing Baldwin’s working relationship with my father, former editor of Playboy magazine Walter Lowe Jr., I hope to illuminate the relational underpinnings of Baldwin’s work on the Atlanta child murders, thereby foregrounding the complexities of Black life. This article recognizes Baldwin’s work in Evidence as more than just a new-wave logistical, strategic, textual model of resistance but also as a mode of artistic production arising from a tradition that is deeply felt, collaborative, improvisational, and ancestrally rooted.
Cecil Brown is nearing eighty years old and starting new projects all the time. He is currently writing a historical novel about the life of the enslaved poet George Moses Horton and a memoir about his friendship with James Baldwin. He met Baldwin early in his career, during a trip to Europe after the translation of his first novel, The Life and Loves of Mr. Jiveass Nigger (1969) [trans. La vie et les amours de Mr. Jiveass le Nègre, 1972]. They remained friends until Baldwin’s death in 1987. This interview collates several conversations about Baldwin that took place in December 2022 and January 2023. Brown reflects on their relationship, on Baldwin’s influence for him personally, and on the meaning of Black cultural celebrity more broadly; he also touches on Baldwin’s situation between Black Power and Black feminism, and the ramifications of the politics of the 1970s for the present.