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5.1Dorothy Selby, ‘The defeat of the Armada and the Gunpowder Plot’, needlework picture. Courtesy of Country Life. Every reasonable effort has been made to contact the copyright holder.
5.2WA 1947.191.316 Anonymous British, book cover with biblical scenes, mid-seventeenth century. © Ashmolean Museum, University of Oxford.
7.1Map of Venetian convents showing parish boundaries. © Saundra Weddle.
7.2Façade of the convent of Santa Maria dei Miracoli, Venice. © Saundra Weddle.
7.3Detail of bird’s eye view of Venice from the south, woodcut by Jacopo de’Barbari, c.1500. Courtesy of the Rijksmuseum, Amsterdam.
7.4Bas-relief originally at the convent of Santa Marta, now at the church of Angelo San Raffaele, Venice. Didier Descouens/Wikimedia/CC BY-SA 4.0.
7.5Sketched plan of the convent of Santa Maria delle Vergini, Venice, after 1519, Archivio di Stato di Venezia, Santa Maria delle Vergini, b. 38. © Archivio di Stato di Venezia.
8.1Marian sequence Inviolata, integra et casta from the Liber usualis (1961), 1861–62.
8.2Distribution of one hundred sources of polyphonic pieces based on the Inviolata chant.
8.3Generic division of Inviolata settings.
8.4Inviolata in the soprano part from an anonymous setting in Petrucci’s Motetti C (Venice, 1504). Courtesy of the Bavarian State Library (http://www.digitale-sammlungen.de) / CC BY-NC-SA 4.0.
8.5Josquin’s Inviolata a 5, Tenor from Berg & Neuber, Novum et insigne opus musicum (1558–59). Courtesy of the Bavarian State Library (http://www.digitalesammlungen.de) / CC BY-NC-SA 4.0.
12.1Wenceslaus Hollar (1607–77). Portrait of a young African woman (1645). Folger Shakespeare Library Shelfmark: Art vol. b. 35 no. 46. Courtesy of the Folger Shakespeare Library / CC BY-SA 4.0.

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Conversions

Gender and religious change in early modern Europe

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