The three amigos

The transnational filmmaking of Guillermo Del Toro, Alejandro González Iñárritu, and Alfonso Cuarón

Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón are the best-known Mexican directors internationally, yet none of them has directed a film in Mexico since 2001. This book examines the career trajectories of the directors and presents a detailed analysis of their most significant films. The three directors were lobbying for tax initiatives to stimulate filmmaking, more opportunities for the distribution and exhibition of Mexican films, and more involvement in film production from television companies. Guillermo del Toro is famous as a director of genre films. The book explores the similarities between the films generated by the authorial force of del Toro, also pointing to divergence occasioned by the very different production contexts. It also explores the auteurist strategies that he has cultivated and explains what is meant by a 'del Toro film'. Alejandro González Iñárritu has also cultivated auteurist strategies, but to a very different effect. The book examines the way in which Iñárritu adopts the language of US independent cinema, with a focus on the narrative structure and the application of a range of colour palettes. Alfonso Cuarón has also followed a transnational trajectory, making films in Mexico, the USA, and the UK, and he has had a varied career, taking on auteurist and studio projects. Despite the very different industrial context, Cuarón brought a number of artistic ideas he and his cinematographer had developed, notably the use of a green colour palette and opulent, highly decorated interiors and lush exteriors.

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