Index
in Connecting sounds

Index

13th Floor Elevators 137
‘1960 What?’ (Gregory Porter) 114, 124
affect/emotion 21, 28, 57, 75, 110, 115, 120, 122, 138, 139, 173, 174, 186
affordance (musical) 27, 128, 129, 130, 136, 137, 138, 139, 141, 142, 145, 172, 174, 176
Age 71, 119, 146, 148, 149, 151, 153, 156, 157, 158, 162, 164, 165, 167
alienation 70, 134, 138, 171, 172, 173, 174, 184
‘Anarchy in the UK’ (The Sex Pistols) 124
art world (concept) 6, 14, 15, 29, 70, 73, 74, 95, 107, 109
‘Asylum’ (Crass) 12, 15, 38
audience 2, 5, 9, 10, 12–16, 20, 21, 29, 30–7, 40, 42–56, 58–61, 65–9, 71, 75, 76, 83, 87, 89, 90, 96, 99, 102, 108–10, 113, 118, 119, 122, 124, 143–5, 154, 158–60, 162, 164, 166, 171–5, 179–85, 187, 188
‘Ave Satani’ (Jerry Goldsmith) 110, 111, 118
‘Babylon's Burning’ (The Ruts) 120
‘Basin Street Blues’ 24
Beatles 131, 176
Beethoven 32, 56, 119
‘Bela Lugosi's Dead’ (Bauhaus) 114, 117
Black, Pauline 185
body techniques 17, 19, 20, 22, 24, 27, 28, 139
bossa nova 118
Bowie, David 187
Boyd, Moses 102, 105
Broudie, Ian 93
Cage, John 12, 15, 35, 96
Chapman, Tracy 142
Chopin (Ballade No 1) 23
Chuck D 178
Clapton, Eric 187
Clash, The 69, 120
classical (music tradition) 12, 14, 23, 31, 46, 72, 73, 75, 111, 119, 129, 154, 155, 161, 171, 174
Cochran, Eddie 130
Collins, Phil 180
‘Common People’ (Pulp) 144–5
composer 10, 11, 23, 25, 28, 30, 31, 32, 33, 34, 35, 44, 45, 46, 48, 57, 108, 109, 122, 123, 171, 174
convention 4, 5, 6, 8, 11, 13, 14, 15, 25, 27, 30, 32–5, 37, 42, 45, 47–9, 66, 69, 74, 75, 83, 91, 95, 107, 109, 116, 117, 119–23, 125, 130, 131, 136, 142, 154, 158, 171–4, 177, 190
Cope, Julian 97
core–periphery 101–2
Crass 12, 15, 38, 185
critical mass 76, 89
dancing 16, 27, 28, 29, 42, 64, 75, 77, 116, 123, 126, 127, 129, 130, 136, 137, 141, 142, 158, 165, 167, 168, 176, 189
dance music 42, 64, 66, 77, 80, 81, 103, 110, 111, 112, 123
DiFranco, Ani 142
dropping the bass 123
Dylan, Bob 120
Eagle, Roger 97–8
Elvis (Presley) 50, 130
embedding (of interaction) 5, 6, 7, 9, 10, 29, 38, 41, 87, 90, 133, 149, 153, 173
embodiment/body (see also ‘body techniques’) 11, 19, 24, 115, 116, 140, 188
Erdös numbers 98
Eric's 88, 97, 98
Factory (label and club) 97, 98
‘Feeding of the Five Thousand’ (Crass) 12, 15, 38
foci/focus (network) 77, 78, 88, 89
folk (music) 2, 13, 14, 16, 42, 48, 55, 56, 61, 69, 75, 76, 78, 80, 81, 82, 89, 100, 119, 136, 149, 164, 165, 175, 176, 185, 186, 187
frames/framing 10, 12, 13, 14, 15, 17, 24, 35, 37, 57, 74, 103, 107, 108, 113, 115, 117, 124, 125, 138, 139, 141, 154, 174, 175, 182, 183, 184, 185
Franklin, Aretha 177, 187
Free Nelson Mandela 180
‘Gangsters’ (the Specials) 114
Garcia, Nubya 102, 105
gender 4, 29, 56, 57, 58, 62, 64, 65, 71, 118, 119, 125, 127, 130, 135, 136, 142, 143, 145, 148, 149, 151, 153, 154, 158, 161, 162, 164, 165, 166, 167, 180, 184, 189, 190
generalised other 22, 23, 108, 133, 135, 179, 181
Getz, Stan and Astrud and João Gilberto 118
‘Graceland’ (Paul Simon) 180
habit/habitus 40, 19, 22, 24, 32, 33, 35, 108, 109, 121, 122, 123, 125, 131, 132, 139, 147, 171, 184
heavy metal 2, 42, 61, 66, 67, 69, 73, 75, 78, 80, 81, 82, 89, 95, 100, 113, 119, 142, 145, 154, 162, 164, 188
Hell, Richard 99
hip hop 17, 67, 102, 119, 143, 144, 169, 176, 179
Holly, Buddy 130
homology 127, 131, 147
homophily 88, 150, 151, 152, 153, 155, 157, 162, 165, 166, 168, 169
Hucknall, Mick 98
‘If the Kids Are United’ (Sham 69) 119
‘If Love Was a Train’ (Michelle Shocked) 114
indie 66, 76, 79, 80, 81, 97, 165, 166
internal conversation (Mead) 22, 23, 133
internal goods 41, 61, 62, 69, 73, 89, 95, 96
interpretive communities (Fish) 14, 15, 29, 74, 95, 107, 109
‘In the Mood’ (Glenn Miller version) 118
Jaws (Shark Theme)’ (John Williams) 110, 111, 118
jazz 14, 18–20, 33, 42, 45, 48, 49, 56, 57, 58, 59, 61, 69, 73, 74, 75, 77, 78, 80, 81, 82, 89, 90, 96, 113, 125, 138, 155, 156, 157, 158, 160, 163, 164, 167, 168, 169, 171, 175, 176
‘Johnny Hit and Run Paulene’ (X) 125
‘Jumping Someone Else's Train’ (The Cure) 115
Lady Gaga 158, 177
Lightning Seeds 93
listening/listener 5, 6, 10, 11, 12, 13, 15, 16, 17, 19, 21, 22, 23–8, 31, 37, 38, 47, 48, 49, 67, 75, 84, 90, 96, 103, 104, 107, 108, 110, 112–16, 119, 120, 121, 122, 123, 124, 125, 127, 128, 129, 137, 138, 139, 140, 143, 144, 145, 146, 149, 155, 158, 159, 166, 169, 172, 173, 174, 179, 181, 182
‘Long Live the Queen’ (Frank Turner) 111
McCluskey, Andy 93
McLaren, Malcolm 99
Madness 114, 119, 185
Mandela, Nelson 180, 181
‘Mayday’ (Spear of Destiny) 114
‘Misery’ (Madness) 119
‘Mississippi Goddam’ (Nina Simone) 180
multivalence (of interaction) 4, 5, 6, 9, 29, 38, 166, 170
musicking 5, 6, 9, 10, 11, 15–17, 19, 20, 21, 22, 26, 28, 29, 30, 31, 32, 33, 35, 36, 37, 38, 40, 41, 42, 43, 44, 47, 54, 57, 61, 68, 71, 72, 75, 77, 80, 84, 85, 87, 88, 89, 90, 94, 100, 101, 104, 106, 112, 127, 139, 141, 142, 146, 148, 151, 153, 166, 167, 168, 169, 179, 180, 182, 186, 187, 189, 190
music worlds 1, 2, 6, 7, 14, 15, 29, 30, 34, 35, 41, 42, 44, 46, 49, 57, 58, 60, 61, 62, 63–105, 109, 112, 114, 123, 124, 138, 142, 148, 154, 163–7, 168, 169, 170, 178, 179, 182, 183, 185, 186, 188, 189, 190, 191
New Model Army 69
new monkey 90, 100, 104, 140, 151, 157
Oi! 119, 185, 188
‘Once We Were Anarchists’ (Frank Turner) 120
Orchestral Manoeuvres in the Dark 93, 98
Pattinson, Les 105
performance/performer 5, 6, 9, 10, 11, 12, 13, 14, 15, 16, 17–23, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 40, 41, 42, 43, 45, 46, 47, 53, 55, 57, 58, 65, 66, 68, 75, 76, 96, 108, 109, 120, 122, 123, 150, 158, 166, 176, 179
Pink Floyd 131
pop 29, 56, 57, 69, 76, 79, 80, 129, 130, 131, 172, 176, 183, 186
post-punk 85, 86, 88, 95, 97
power 29, 30, 31, 35, 40, 42, 54, 55, 58, 94, 99, 114, 130, 176
‘Prince, The’ (Madness) 114
Prince Buster 114
Public Enemy 191
Pulp 144
punk 1, 2, 12, 15, 32, 42, 64, 67, 69, 75, 80, 81, 86, 88, 96, 97, 99, 102, 119, 124, 125, 168, 172, 184, 185, 187, 188, 190
R&B 66, 163
race/racism 4, 7, 10, 16, 36, 41, 44, 56, 58, 62, 64, 65, 71, 114, 119, 124, 127, 135, 136, 143, 144, 148, 149, 150, 151, 152, 153, 154, 156, 157, 158, 159, 160, 162, 163, 164, 167, 168, 169, 176, 178, 179, 180, 181, 184, 185, 186, 187, 188,
rap 52, 58, 66, 76, 143, 144, 177, 178, 179, 180, 191
reggae 75, 78, 81, 118, 136, 149, 163, 164, 167, 168, 176, 187, 188
resources 2, 4, 5, 6, 7, 10, 11, 17, 30–2, 35, 37, 38, 40, 44, 54, 55, 60, 61, 66, 74, 75–7, 90, 93, 96, 97, 98, 108, 149, 151, 156, 159, 162, 169, 182, 187, 188
Riot Grrrl 190
rock 16, 29, 66, 75, 76, 79, 80, 97, 102, 124, 130, 149, 175, 176, 179, 186
Rock Against Communism 188
Rock Against Racism 16, 185, 187
rock ‘n’ roll 36, 50, 51, 58, 59, 67, 96, 125, 130, 137, 163, 169
Roxy Music 145–6
Selector, The 185
Sex Pistols, The 99, 102, 124
sexuality 64, 119, 148, 149, 151, 153, 189
‘Sgt Pepper's Lonely Heart Club Band’ (the Beatles) 131
Sham 69 119, 185
Simone, Nina 180, 181
Simply Red 98
Skrewdriver 185
social capital 85, 94–101, 166
social class 7, 45, 46, 58, 64, 65, 70, 119, 127, 135, 138, 143, 144, 145, 147, 148, 149, 150, 152, 153, 154, 155, 156, 157, 158, 159, 160, 161, 162, 166, 167, 176, 184
social movements 134, 182, 188
soundtracking 118, 138, 139, 141, 145
Spear of Destiny 114, 135
Specials (The) 114, 180
‘Star Spangled Banner’ (Jimi Hendrix) 124–5
‘Strange Fruit’ (Nina Simone version) 180, 181
‘Streets are Ours, The’ (the King Blues) 114, 115
support personnel 2, 10, 11, 13, 16, 21, 30, 37, 40, 41, 42, 58, 60, 61, 62, 71, 76, 85, 166
technology 17, 30–2, 77, 148, 160
‘Trans-Europe Express’ (Kraftwerk) 114
tuning in (Schutz) 20, 27, 28, 121, 123, 139, 140
Turner, Frank 36, 37, 111, 120
Two Tone 114, 185, 188
‘War’ (Edwin Starr) 177
Wilson, Tony 97, 98

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