The films of Costa-Gavras

Editor: Homer B. Pettey

In this collection of new essays, issues emerge that open up numerous innovative approaches to Costa-Gavras’s career, among them: contemporary theories of adaptation, identity politics, reception, and affect, as well as his assessment of twentieth- and twenty-first-century political disorder. Costa-Gavras recontextualizes political history as individual human dramas and thereby involves his audience in past and contemporary traumas, from the horrors of the Second World War through mid-century international totalitarianism to the current problems of immigration and the global financial crisis. In order to capture the feeling of a political era, Costa-Gavras employs cinematic techniques from La Nouvelle Vague for his early films, documentary-like re-enactments for crucial moments of political tension of his renowned thrillers, and state-of-the-art aesthetics and technology for his latest ventures. The first half of this collection focuses upon the first twenty years of Costa-Gavras’s career, especially his development of the political thriller, the second half of this collection explores the past thirty years of his very productive filmic, thematic, and genre experiments. Costa-Gavras remains one of film’s enduring storytellers, theorists, and political commentators.

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