Index
in The postsocialist contemporary

Index

academic installationism 80
Adorno–Popper exchange (also the Tübingen exchange) 155–156
Advisory Board 35, 41–42, 51, 53, 59–60, 70, 72, 97, 102 . See also Expert Jury
After the Wall (exhibition) 15, 63, 76–83, 181
AL (Artpool Letters) 35
Alchemic Surrender (exhibition) 16, 108–110
Alloway, Lawrence 219
antipolitics 3, 15, 17, 81–82, 108, 137, 159, 169–190, 199–206
anti-politics machines 177, 208 (n. 31)
art contemporain 227, 230, 246 (n. 47)
art of governing (also art of governmentality) 133, 140, 231
Artist Unions (also Creative Unions) 32, 68 (n. 32), 92, 98, 101
ARTPOOL (archive) 7, 35, 67 (n. 17), 219
artworld (also institutional theory of art) 57, 87, 114, 219–221, 225, 231
Austrianism (also Austrian economics, marginalism, marginal revolutionaries) 127, 129
awakening media consciousness 61, 80, 104
 
Barraclough, Geoffrey 226, 239–242
“Beautiful Darkness (variation 2)” (artwork) 186–187
Beke, László 38, 70 (n. 60), 94, 96, 186
Birkás, Ákos 37, 39
Bódy, Gábor 38, 96
Boston ICA (Boston Institute of Contemporary Art) 171, 191–193, 198, 206, 211, 238
Broeckmann, Andreas 114
browser 103, 112, 114
browser art 112, 224
browser wars 103
 
C3 (Center for Culture and Communication Foundation) xi, 61, 63, 112–113. See also SCCA-Budapest
Californian ideology 103, 108, 159
Center Georges Pompidou 230, 246 (n. 47)
Center of Contemporary Art, Afghanistan 230–231
closed society 50, 57, 136, 146, 159 . See also open society
Cold War liberalism 3–4, 13, 47, 75, 117, 127, 129–130, 132–133, 135–138, 153, 157, 170, 184 . See also liberalism of fear
contemporaneity 9, 12, 14, 18, 27, 78, 171, 190, 194–197, 204, 216, 226–240, 242 . See also sovremennost’
contemporary dance 234–236
contemporary episteme 241–242
contemporary history 226, 234, 239–241
contemporary house 233–234, 236, 243
contemporary music 235, 242–243
contemporary style [sovremennyi stil’] 191, 194, 197
curator (also curatorial function) 6, 16, 34, 39, 76, 79–80, 86–109, 112–116, 184, 221
 
Dan, Calin 51, 104, 106
developmentalism 2, 8, 12, 14–15, 22–23, 26, 34, 37, 47, 57–58, 61, 63, 80, 87, 91, 97, 103, 110, 114, 117, 130, 133–134, 142–144, 153–154, 177–178, 189, 193, 200, 205, 216, 220–221. See also modernization and transition
Digitart (exhibition) 38
Dmitrieva, Nina 194–195
 
end of isms, the 175–176
Erdély, Miklós 39, 96
Ex Oriente Lux (exhibition) 16, 92, 104–107, 113, 116
Exhibition 01010101 (exhibition) 16, 92, 106–107, 110, 113, 187
exhibition of an exhibition (also exhibition as a tableau of art) 102, 104
Expert Jury 42, 97, 101–102. See also Advisory Board
 
Fleck, Robert 10–12, 83, 102
Foucault, Michele 133, 172, 218–219, 241–243
free art concept (Fleck) 10–12, 75, 83, 102, 131, 218
 
Galántai, György 7, 35 . See also ARTPOOL
game vs. play 143, 154, 160, 237
Generalart (Hungary) 34, 39
Gombrich, Ernst 16–17, 117, 128–130, 129–130, 136, 139, 143, 149–160, 177, 237
Groys, Boris 139, 197
Guilbaut, Serge 22–24, 194, 239
 
Havel, Vaclav 170, 199–200, 203
Hayek, Friedrich 16, 27, 117, 128–130, 133, 161 (n. 10), 228
Helme, Sirje 11, 26, 51, 86
histoire contemporaine 226, 230
holism 130, 136–138, 140–147, 151, 153, 155, 159, 184 . See also totality
 
ICAN (International Contemporary Art Network) 64
ideology of no ideology 10, 228
Imago: Fin de siècle in Dutch Contemporary Art (exhibition) 45, 94, 96
interdisciplinarity 104, 117, 150
implementation 3, 25–26, 30, 32, 44, 46–47, 56–58, 90, 110, 113, 115, 159, 193, 203
issue-based art (also issue based work) 108–109, 116, 159, 170, 174, 178, 183–187
 
Juske, Ants 67, 80, 119
 
Kemp-Welch, Klara 169, 201–202
Keserű, Katalin 181, 184
Keskküla, Ando 92, 188
Kessler, Erwin 91, 106–107
Khrushchev's Thaw 194–197, 199
Klaniczay, Júlia 7, 35, 183 . See also ARTPOOL
Komissarov, Eha 57, 221
Konrád, György 170, 200, 203
kontemporary art (also контемпорари арт) 26, 29, 89–90, 110, 194
Kuzma, Marta 51, 109
 
liberalism of fear 127, 129, 153 . See also Cold War liberalism
London ICA (London Institute of Contemporary Arts) 51, 77, 118 (n. 5), 190
Ludwig, Peter 44, 134
Ludwig Museum Budapest 82, 180
 
Manifesta 2 (exhibition) 10–11, 15, 77, 83
Marxist aesthetics (also Marxist-Leninist aesthetics) 131, 142, 196
media privatization 33, 103, 116, 229
Media Sweet Media (SCCA program) 113
Mészöly, Suzanne 39–41, 44–47, 50–53, 58, 61, 70 (n. 56), 94, 97–98, 108–109, 115, 181–183, 187–188, 209 (n. 36)
method of trial and error (Popper) 86, 93, 128, 149–150, 152, 155
methodological essentialism (Popper) 146
methodological nominalism (Popper) 146
Michnik, Adam 170, 203
Mládek, Meda 34–35, 41
Mocnik, Rastko 56
modernization 8, 14, 23, 32, 34, 45, 47, 56, 60, 62, 78, 88, 114, 189, 218, 225, 227, 231–232. See also developmentalism and transition
Mont Pèlerin Society 129–130, 157, 161 (n. 10), 229, 232
Műcsarnok (Kunsthalle, Budapest) 9, 34–35, 39, 44, 64, 94, 181
 
Németh, Lajos 36–38, 41, 179–180
neo-avant-garde (also trans-, retro-, repro- avant-garde) 26, 29, 37, 158, 174, 185, 200–201, 237
neoliberalism 1, 3–6, 13–14, 20, 43, 95, 117, 127, 129–130, 132, 135–136, 151, 157, 172–173, 205, 216, 224–226, 228–232, 237, 242
Néray, Katalin 35, 51, 179
net.art 112, 114–115, 224 . See also browser art
network aesthetics 114–115
network (as institutional form) 63, 219
Network Internet Program (NIP) 115–116
network society 6, 63, 103, 114, 159, 225
new economy 6, 43, 90, 103, 159, 225
new media 11, 16, 36, 45, 57, 61, 65, 80, 90–91, 93–96, 98, 106–108, 110, 112–113, 221–222, 224
New Painting 37–38, 89, 120, 180
new sensibility 28, 37–38
New Tendencies (nove tendencije) 11, 28, 89, 117
non-governmental organizations (NGOs) 24, 60, 177
 
O’Neill, Paul 88–89
open society 4, 6, 10, 12–17, 22–30, 32–33, 56–60, 65, 75, 80, 86, 97–99, 102–103, 108, 114, 117, 126–131, 135–141, 144–160, 171, 176, 178–180, 184, 189, 199, 218, 222, 223, 224 . See also closed society
Open Society Institute (OSI) 12–13, 15, 24–25, 50, 76, 113, 115, 126, 183 . See also Soros Foundation(s)
Open Society and Its Enemies, The (book) 24, 128
 
PC Eastern Art 80, 169
Peggy Guggenheim Museum (Venice) 50–51
Peizer, Jonathan 115–116
Pejic, Bojana 78, 83
Peternák, Miklós 37–39, 94, 96, 180
piecemeal engineering (Popper) 140, 145, 158, 178, 184
Piotrowski, Piotr 170, 200–201
political correctness 81, 107, 116, 183
Polyphony (exhibition) 16–17, 108–110, 113, 171–172, 177–189, 199
Popper, Karl 3–4, 15–17, 22, 24, 27, 50, 60, 86, 93, 99, 101, 117, 126–160, 177–179, 184, 224, 229, 237, 242
postcolonial contemporary, the 14, 225–226
private art [privatnoe iskusstvo] 134, 174, 180, 202–203
 
Quantum Fund 5, 44
Quarterly (SCCA network periodical) 106–107, 111, 114
 
Rabinec Studio 37–38
Romanian television revolution 46, 104, 123 (n. 78)
 
Soros Centers for Contemporary Art network (SCCA network, the)
SCA-Sofia 45, 61, 78, 113
SCCA-Almaty 25, 61–62, 90, 222 .
SCCA Annual Exhibition (program) 13, 15, 17, 45, 59, 61–62, 76, 86, 91, 92–94, 99, 104–110, 171, 178, 181–182, 188
SCCA-Belgrade 45
SCCA-Bratislava 45, 51
SCCA-Bucharest 16, 29, 31, 45, 51, 57, 61, 92, 99, 104–108, 110, 113–114, 187, 222
SCCA-Budapest 16–17, 25, 29, 31, 33–35, 45, 50–51, 63, 77, 99, 104, 108, 110, 113, 171–172, 179–182, 184, 186–188, 199, 221 . See also C3 Foundation
SCCA-Bulletin 1991–1994 (publication) 179–180
SCCA-Chişinӑu 13, 29, 61, 78, 217
SCCA Documentation (also Comprehensive Documentation program) 7, 13, 16, 28, 33–45, 54, 59, 61, 64–65, 77–78, 91–93, 180, 217–221
SCCA-Kyiv 16, 51, 61, 89, 108–109, 111, 113, 217
SCCA-Ljubljana 29, 51, 54, 56, 64–65, 108, 110, 113, 115, 187, 217, 221
SCCA-Moscow 29, 51, 53, 61, 110, 112–113, 217, 222
SCCA Network Procedures Manual, the 44, 48, 50, 52–53, 57–58, 75, 97
SCCA Newsflash (SCCA network periodical) 49, 53, 55, 105
SCCA-Odessa 25, 61, 89, 114
SCCA-Prague 29, 31, 45, 51, 61–62, 99, 113, 178, 217
SCCA-Riga 45, 51, 61, 78, 91, 108, 217
SCCA-Sarajevo 25, 67 (n. 18)
SCCA-Skopje 113
SCCA/Soros Artist Grants (program) 7, 13, 23, 28–29, 32–33, 36, 45, 53, 59–60
SCCA-St. Petersburg 25, 29, 45, 61, 222
SCCA-Tallinn 11, 13, 29, 31, 45, 51, 54, 57, 61–62, 65, 78–79, 86, 88, 92–93, 113–114, 188, 217, 223
SCCA-Vilnius 45, 51, 61
SCCA-Warsaw 29, 31, 45, 51, 58, 71 (n. 69)
SCCA-Zagreb 29, 45, 51, 61, 65, 113, 217
Soros Artists File (program) 39, 41, 43
Soros Fine Art Bulletin 1985–1990: Modern and Contemporary Hungarian Art (publication) 36, 38–41, 97, 179
Soros Fine Art Documentation Center 16, 25, 36, 38, 40, 45, 63, 77, 93–95, 97–98
Soros Foundation(s) 7, 22, 30, 36, 39, 45, 46–47, 50, 179
Soros Foundation Awards (also money prize) 39, 101, 107, 220
Soros, George 1–8, 12, 15, 18, 22, 24, 26–28, 31, 34, 39, 41, 44, 47, 50–51, 54, 76–78, 115, 117, 118 (n. 4), 126–127, 134, 143, 170–171, 178, 184, 190, 203, 205, 224–225, 230
Soros Realism 223
Soros, Susan Weber 36, 50
sovremennost’ 194–195. See also contemporaneity
SUB VOCE (exhibition) 16, 36, 45, 94–104, 110, 116, 180
 
Tamás St. Auby (also TNPU/IPUT) 186–187
totality 75, 92, 129–130, 136, 138, 140–147, 155, 158–159, 173, 176, 179, 184, 192, 227, 229 . See also holism
transition 1, 6, 8–9, 11–12, 14, 16, 18, 24, 31–32, 50, 54, 56, 61, 64, 75, 78, 86–88, 94–95, 101–102, 127–128, 138–139, 170, 176, 180, 185, 187–188, 198–199, 205 . See also modernization and developmentalism
 
utopia 1, 108, 115, 138–139, 140–141, 155, 159, 176, 179, 189, 192, 198, 202, 226
utopian engineering (Popper) 140–141, 179
 
Venice Biennale (1993) 47, 51
von Mises, Ludwig 16, 117, 128–129, 133, 134, 237
 
Zwickl, András 180, 183

The postsocialist contemporary

The institutionalization of artistic practice in Eastern Europe after 1989

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