This essay interweaves an analysis of Raymond Depardons short documentary film, 10
minutes de silence pour John Lennon (1980), with some broader reflections on time,
cultural history, and silence. Shot in a single take, the film records the
expressions, movements, and reactions of some of 200,000 mourners who gathered in
Central Park to commemorate Lennons life six days after his death in December, 1980.
Despite its observational form and aesthetic reticence, 10 minutes de silence renders
unexpected coincidences of colour, perspective, gesture, and noise, spontaneous
formations and patterns that resonate beyond the films actual moment and journalistic